Nightmare Before Christmas

MusicWatch Halloween III: The Unveiling

The dead rise in Portland with a feast of tribute bands and other spooks

The world is already a haunted house. Killer clowns, mercenary robots, dystopian surveillance states, wildfires galore–what do you need a haunted house for? Instead, go lurk in the shadows with some dark music and costumed fun. There are dozens of tribute shows and other appropriately spooky concerts happening tonight (All Hallow’s Eve Eve), tomorrow (All Hallow’s Eve), Friday (Samhain), and through the weekend.

Hiding under the covers

Bands these days tend to turn their snotty punk rock noses up at the reviled “cover”–who wants to play someone else’s dead old music, when you could be creating your own new frankenstuff? Normally I heartily approve of this virtuous sentiment, as anyone who’s heard me ask “who the fuck cares about Brahms?” can attest. Local bands are your best source of folk-based contemporary composition, and even the worst among them have a creative joy that even established cover bands like the Oregon Symphony can only rarely match.

But every now and then, these folks like to turn their noses down and play dress up. And by “every now and then,” I mean Halloween season, when the veil between worlds thins to a viscous membrane and musicians reveal their secret hearts–this is the one time of year when it’s not only acceptable but downright Cool to learn Other People’s Music and play it for all your friends. Some bands do this sort of thing full time (Portland’s very busy Talking Heads tribute band Life During Wartime comes to mind), but Halloween season is when basically everybody gets in on the tribute game. Some of these bands are even making the rounds, trick-or-treating around various local venues over the next few days. Here are some of this year’s most exciting costumes.

A Bunk Halloween at Bunk Bar down on Water Avenue features Hell Beside You as Seattle ghouls Alice In Chains, New York Kids as aughts moodsters Interpol, and Victoria as dreamy duo Beach House. Up at North Portland’s stabby Kenton Club, Lobotomen does The Ramones, Danzig Fever does Misfits, Chippunks play “Rodent Punk Classics,” and The Hauer Things plays songs from the Nuggets crypt.

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Oregon Symphony Orchestra: Nightmares before Christmas

OSO film series presents two simultaneous dramas: one on screen, one hidden in the orchestra 

By MATTHEW ANDREWS

In my comfy balcony seat in Portland’s Arlene Schnitzer Concert Hall, I realized with a start that I was about to hear, for the first time ever, a real live orchestra performing the music of my favorite composer.

It was nine shopping days before Christmas, and the Oregon Symphony Orchestra was getting ready to perform Nightmare Before Christmas, synchronizing Danny Elfman’s score to the film, projected on a screen above the orchestra, same as OSO has been doing for years.

Oregon Symphony performed the live score to Tim Burton’s ‘The Nightmare Before Christmas’ in December.

I looked around: just like at last fall’s Star Wars concert —pure bliss— the audience was a little younger than the OSO’s usual Mahler-loving crowd. A whole lot of folks my age and younger, some with parents or friends or kids, most wearing some kind of Nightmare bling.

And, as with Star Wars, the place was packed. They’d had to add a fourth show to accommodate the demand for this weird animated hybrid holiday show, this bizarre 25-year-old stop-motion musical (directed by Portlander Henry Selick, who animated Coraline) with Weillisch songs and score by a guy who used to breathe fire in a gonzo horror pop band.

But while this Nightmare was a dream come true for me and the rest of the audience, it was a lot scarier for the orchestra and its conductor. As we enjoyed the antics of Jack, Sally and the rest, the Oregon Symphony faced a test as tough as any of the movie’s characters.

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