northwest community gospel chorus

MusicWatch Holidays: Naughty and nice

Unwrapping Portland’s spiritual duality with holiday concerts for choirs, circuses, dancers, and drag queens

Ho ho ho! Oregon First Winter is fully upon us: the snow and ice and seasonal depression haven’t hit in full force yet, but it’s finally cold and rainy enough to talk about holiday music. Let’s get started with an old favorite:

Our wishlist of worthy concerts is twenty-plus items long this week (not counting the mezzanine), so we’re only going to talk about a select few–but we’ll leave the whole list for you at the end, dear reader, so you can decide for yourself who’s been naughty and who’s been nice.

Choral joys, classical comforts

Nothing goes together like choirs and holiday music. Portland and environs may be known for a certain sassy grouchiness, but we’re also known for having more choral ensembles than Santa has ununionized elves. Almost all of them are celebrating the holiday season one way or another in the next few weeks, and although our darling Resonance Ensemble is off duty until early spring, the rest of the Oregon choir tribe is gearing up for year-end banquets of sparkly yuletide music.

Continues…

MusicWatch Weekly: for the children

Music inspired by children lead this week's Oregon concert lineup

The Christmas season celebrates a child’s birth and delights kids all over the world. But there’s little comfort and joy for many children today. Even before little Alan Kurdi’s body washed up on that Turkish beach three years ago, children were bearing the brunt of the Syrian refugee crisis and so many other catastrophes. Fear No Music’s “All of the Future: In Celebration of Children” features chamber music on subjects especially significant to children, including gun violence (Larry Bell’s Newtown Variations, responding to the 2013 massacre), homophobia (Pulitzer Prize winner David Del Tredici’s Matthew Shepard), migration (Mary Kouyoumdjian’s A Boy And A Makeshift Toy, inspired by the 1990s Bosnian conflict), bullying (Barbara White’s Registering My Oppositions) and, yes, the plight of refugees crossing the Mediterranean (Nadir Vassena’s child lost at sea). The young musicians of Portland’s BRAVO Youth Orchestras contribute a collective compositional response to the new ICE crackdown on immigrants.
Monday. The Old Church, 1422 SW 11th Ave. Portland.

Portland Gay Men’s Chorus’s annual holiday concert happens this weekend.

• Like so many parents today, jazz pianist Ezra Weiss, the father of two young sons, worries about the turn the world has taken recently and what it means for his children’s future. And as one of Portland’s most esteemed jazz composers and arrangers, Weiss channeled those concerns when he created his latest and one of his most ambitious compositions. This concert, a fundraiser for the Cathedral Park Jazz Festival, features the premiere and live recording of Weiss’s new jazz suite We Limit Not the Truth of God, featuring many of the city’s top players (John Nastos, John Savage, Renato Caranto, Stan Bock, Alan Jones, Carlton Jackson, Thomas Barber and more, plus the Camas High School Choir. This new creation follows a string of successes, including his score for Portland Jazz Composers Ensemble’s multimedia concert and recording earlier this year, From Maxville To Vanport; three original musicals for Northwest Children’s Theater; three ASCAP Young Jazz Composer Award, half a dozen CDs, and a host of arrangements and compositions for various Portland jazz veterans. But fair warning: although inspired by concern for children, some of the themes in Weiss’s new composition may not be appropriate for all of them. Such is the state of our world.
Saturday. Alberta Abbey, Portland.

• The impressive Portland composer Renée Favand-See dedicated her new solo piano work Growing to her first son Owen, and suggests that its premiere performance would be a good one for adults and kids. It’s part of award winning rising star pianist Zhenni Li’s free, one-hour, no intermission recital presented by Portland Piano International, which commissioned it. Along with Growing (based on Britten’s folk song arrangement “The trees they grow so high,” which will be sung by Arwen Myers in Portland), the recital includes music by Beethoven, Bortkiewicz, and Mussorgsky’s Pictures of an Exhibition.
Friday, St. Paul’s Episcopal, 1444 Liberty Street SE, Salem, and Saturday, Portland Piano Company, 8700 NE Columbia Blvd, Portland.

Choral Concerts

• Children from ORS’s own youth choirs and student choristers from local middle and high schools join in some selections in Oregon Repertory Singers’ Glory of Christmas concert, annually one of the best bets of the holiday music season. The 20th and 21st century program includes excerpts from contemporary Norwegian composer Ola Gjeilo’s Northern Lights and Benjamin Britten’s enchanting Ceremony of Carols, Beaverton native Morten Lauridsen’s moving O Magnum Mysterium, Portland composer Naomi LaViolette’s Angel in the Snow, contemporary Estonian composer Arvo Pärt’s Bogoroditse Devo and Magnificat, contemporary Latvian composer Eriks Esenvalds’s Stars, Franz Biebl’s perennial Ave Maria, and more.
Friday (tickets available) & Sunday (sold out, call ahead), First United Methodist Church, 1838 SW Jefferson St, Portland.

Oregon Repertory Singers perform at Portland’s First United Methodist Church.

• Some of the same composers and even compositions appear on Choral Arts Ensemble of Portland’s CAE Yuletide: To Friends Old & New this weekend. The choir teams up with composers from our own time and place to perform new Northwest seasonal works created by members of Cascadia Composers, plus old favorites by other renowned contemporary choral composers (Gjeilo, Lauridsen, Stephen Chatman, Pärt), new works by rising young composers (Jake Runestad, Joshua Shank, Martin Åsander) and classics by Mozart, Britten, Ralph Vaughan Williams, Tavener, Elgar, and more. Portland composer Lisa Neher’s Three Basho Haiku includes ”harvest moon,” which conjures the image of a large, orange moon rising in the autumn sky; “first winter rain,” which likens the ending of the year with the waning of life, prompting the search for the comfort of companionship and “this fragrance,” which relates the experience of a particular scent awakening emotions and memories. Bill Whitley‘s Ecclesia is a tribute to the great Portland architect Pietro Beluschi. Read ArtsWatch’s interview with CAE artistic director David De Lyser.
Saturday night and Sunday afternoon. St. Philip Neri Catholic Church, 2408 SE 16th Ave. Portland.

Continues…