Pacific Theatre and Dance Department

DanceWatch: a big yes to November

As a new season settles in, Oregon's dance calendar overflows with opportunities

“No fruits, no flowers, no leaves, no birds! – November!” This line begins the chapter on November in my favorite childhood book, A Time to Keep, the Tasha Tudor Book of Holidays, and is also the last line of a poem by poet and humorist Thomas Hood (1799 -1845) called NO!

The story line of  A Time to Keep is prompted by a little girl asking her mother, “What was it like when mommy was me?” Tudor lovingly illustrates each month of the year and that family’s holidays and traditions for each of them.

Tudor (1915-2008) was an American author and illustrator whose stories and beautifully detailed illustrations created whimsical, magical worlds for children of all ages to enter. 

I particularly liked November in A Time to Keep, because it describes a family coming together from all around and celebrating the holiday with food and impromptu performances as entertainment. I like to imagine that this is what we are doing here in Portland in the winter, gathering together in warm, cozy spaces, eating, drinking, and watching dance.

And this November has no shortage of dance: twenty performances, from a few Halloween carryovers to important anniversary celebration performances, circus performances with a social justice bent, Shakespeare, ballet, and much more. Scroll down to see it all! 

Dance Performances in November

Week 1: November 1-3

Members of the cast of Redwood by Playwright Brittany K. Allen that runs November 1-17 at Portland Center Stage at The Armory.
Photo by Russell J. Young/Courtesy of Portland Center Stage.

Redwood (World Premiere)
Playwright Brittany K. Allen 
Directed by Chip Miller
Choreography by Darrell Grand Moultrie
November 1-17
Portland Center Stage at The Armory, 128 N.W. 11th Ave.

A young Black woman’s relationship with her white boyfriend is upended when her uncle’s exploration of their family’s lineage reveals that her ancestors were enslaved by her boyfriend’s ancestors. Guided by a hip-hop dance class chorus, choreographed by Darrell Grand Moultrie (choreographer of Instinctual Confidence and Fluidity Of Steel for Oregon Ballet Theater), this American family learns to live and love in a present that’s overpopulated with ghosts.

Continues…