Patricia Whitefoot

A flood of memory, a mosaic of the future

ArtsWatch Weekly: The Vanport Mosaic Festival goes virtual, bringing the legacy of the great flood of 1948 into contemporary Portland

ON MEMORIAL DAY IN 1948 A RAILROAD BERM BURST in the lowlands just south of the Columbia River and north of Portland, sending a swiftly moving wall of water over the edge and inundating the city of Vanport, killing 15 people, leaving 17,500 homeless, and essentially wiping the city off the map. Vanport had been hastily constructed six years before to house workers and their families building warships in the Kaiser shipyards of Portland and Vancouver. At its height it had had a population of 40,000, making it the second-biggest city in Oregon at the time. In the decades since, the disaster has been forgotten by many, lost in the march of “progress” (Delta Park and the Portland International Speedway now sit where Vanport once thrived). For others it’s become an almost mythological touchstone, an emblem of what Portland and Oregon had been and what it would become, especially in its attitudes and actions about race. As Brett Campbell put it in his 2015 review of Rich Rubin’s play Cottonwood in the Flood, which debuted at an early Vanport Mosaic Festival and was set in Vanport in the 1940s, the city became, “along with Celilo Falls, Oregon’s Atlantis.” 

Henk Pander, “Vanport,” watercolor, 40 x 60 inches, from his series of large history paintings of the flood and its aftermath. Pander will be part of the Vanport Mosaic virtual festival in an online conversation, “Painting History,” with Chisao Hata and other artists who have depicted Vanport in their work. Image © Henk Pander 

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