pedro almodovar

“Julieta” marks a return to form for Pedro Almodovar

The stunning Adriana Ugarte is the Spanish director's latest acting discovery in this satisfying melodrama

It’s been a little while since the arrival of a new film from veteran Spanish filmmaker Pedro Almodóvar could be considered a major cinematic event. In the 1980s, his racy, flamboyant sex comedies always seemed to be breaking a new taboo. In the 90s, he shifted to a more mature style, churning out a string of masterful melodramas that peaked with 1999’s Oscar-winning “All About My Mother.” Since then, though, he has plateaued, while still operating at a high level of craftsmanship.

His last two films have felt like efforts to break free of this rut. The twisted psycho-sexual thriller “The Skin I Lived In” was successful. The strained goofiness of the airplane comedy “I’m So Excited!” was not. With “Julieta,” Almodóvar executes a return to the color- and emotion-saturated genre that has served him so well, and comes up with his best work in it since perhaps 2004’s “Bad Education.”

Adriana Ugarte in a scene from “Julieta.”

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