The Cultural Landscape 12: Special Edition
K.B. Dixon’s cultural-portrait series continues with a “special edition” featuring trailblazing women artists Lucinda Parker, Judy Cooke, Phyllis Yes, Sherrie Wolf, and Laura Ross-Paul.
K.B. Dixon’s cultural-portrait series continues with a “special edition” featuring trailblazing women artists Lucinda Parker, Judy Cooke, Phyllis Yes, Sherrie Wolf, and Laura Ross-Paul.
Same old story? Brash new wave? In Oregon this week, old and new and always mix it up.
By Sarah Kremen-Hicks Theaters have their curtains. Paintings have their frames. Books have their covers. The act of presentation, of framing, of giving things edges, shifts the subject to the work itself and hides the artist away, if only a little bit.
When we say “hit parade,” that’s what we mean. In the first of a series of stories looking back on the highlights of 2018, these 25 tales were ArtsWatch’s most popular of the year, by the numbers: the most read, or the
Sometimes as shows and curtains open and close, a writer flounders for a framing device. I know: Let’s play poker. “Two pair is a poker hand containing two cards of the same rank, two cards of another rank and one card of
Don’t look now, but the two-ton elephant’s about to plop down in the living room. That’s right: Hamilton, the touring version of the Broadway mega-hit, opens on Tuesday, March 20, in Portland’s Keller Auditorium for 24 performances through April 8, and if
How refreshing to be reminded that sometimes an artist is an artist is an artist, no matter her chosen medium and despite our own reductive need to “frame” her as just ONE thing. This is most definitely the case with the multi-faceted
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