play readings

Watching Readings

Playreadings and staged readings are endemic in theater. But do audiences really enjoy watching them?

Fertile Ground is springing up about us again, and Portland’s theatrical venues are filled with performances—dance, original drama, comedy, even a couple of premiere musicals, all there to delight audiences.

And then there are the playreadings.

The festival is heavy with new works, and that means that there’s a large dose of play readings and staged readings. The differentiation between the two forms is that you don’t expect more from a reading than some actors, chairs and music stands, while a staged reading can vary from a couple of simple props or costume pieces to some fairly elaborate blocking and tech—which can be indistinguishable from a workshop, which are also featured at Fertile Ground. (This is what happens when artists try to label their own work.)

Both playreadings and staged readings are generally seen as part of the natural trajectory of a script leaving the page and climbing the ladder to a regional theater premiere.

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