Portland Book Festival

Book ’em, Dano. (Online, of course.)

ArtsWatch Weekly: Portland Book Festival is virtually yours; art around the state; dance on film; October musical surprise; two remembrances

A BIG SLICK BROCHURE FROM LITERARY ARTS PLOPPED INTO MY MAILBOX a day or two ago, announcing the imminent arrival of this year’s Portland Book Festival (the festival formerly known as Wordstock). The good news is that what has traditionally been a one-day event cramming Taylor Swift-sized crowds into the streets of Portland’s downtown Cultural District will now spawl across two weeks, Nov. 5-21. The expected news is that, of course, all of the events will be online. Portland’s long been a hotbed of live literary celebrations, from poetry slams and open mics in bars to celebrity author talks in bookstores to this great big annual bash that lures the devotees of a solitary artistic passion – reading – into a cultural swarm of conviviality. The necessity of making this year’s festival virtual puts a new twist on the oddity of an extroverted event for introverts, which will now by an introverted event for introverts, simulating extroversion.

Intro- or extro-, it’s a good-looking festival, with more than a hundred authors, a full table of contents of classes and events, and some top-of-the-line featured speakers. Maybe the biggest current-events voice among those will belong to Isabel Wilkerson, author of Caste: The Origin of Our Discontents, which argues that America’s race problem is more accurately a matter of caste, to be compared with India’s caste system and Nazi Germany’s hierarchy of citizens. A key aspect of caste is that people can’t escape the caste into which they were born, meaning that in the United States, the conflation of caste and race both muddies the distinction and makes it all the more indelible. It’s a book that clearly and potently summarizes current research, and gains much of its power from Wilkerson’s impassioned observations and retellings of encounters in her own life. The featured fiction speaker will be Jess Walter, the best-selling novelist who lives in Spokane, author of Beautiful RuinsThe Financial Lives of the Poets, and the new The Cold Millions. And it’s quite wonderful and lovely that Margaret Atwood, the great Canadian writer and author of The Handmaid’s Tale, an essential novel of the 20th century that remains unnervingly pertinent in the 2020s, is being featured in conversation about her poetry. Writers’ worlds are often more complex, and therefore interesting, than their greatest hits.
 



CHARLES GRANT, MOVING TO THE HEART OF THE MATTER


Charles Grant collaborates with Jessica Wallenfels to add a vivid sense of movement to his performance in his short play-turned-film “Matter.” Photo: Tamera Lyn

CHARLES GRANT’S MATTER AT HAND. The Portland actor/writer’s new version of his 2017 short play Matter (he now refers to it as Matter 2.0) takes it off the stage and into streamable movie form with the aid of videographer and editor Tamera Lyn, director James Dixon, sound designer Sharath Patel, and lighting designer Thyra Hartshorn. One other crucial collaborator – movement director Jessica Wallenfels, of co-producer (with Portland Playhouse) Many Hats Collaboration, helped Grant create a vivid sense of motion in his solo show, Jamuna Chiarini writes. Chiarini talks with Grant and Wallenfels about how the movement and the script work together to amplify Grant’s story of the constant threat of police brutality and gun violence that Black Americans face. 
 

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ArtsWatch Weekly: One for the books

Portland Book Fest turns the page, downtown gets a new museum, music and theater light up the stage, it's beginning to feel a lot like ...

WORDSTOCK IS DEAD. LONG LIVE THE PORTLAND BOOK FESTIVAL. And the city’s big blowout of a book festival, by any other name, is just around the corner: Saturday’s the day. Portland’s South Park Blocks is the site, centering on the Portland Art Museum but sprawling like free verse across the territory. “A circus is a good analogy for Portland’s big annual book event, with its 100+ authors appearing on nine stages all in one dense, delirious, daylong literary orgy,” Katie Taylor writes in her aptly titled ArtsWatch preview, Portland Book Festival: Sometimes too much is a good thing. “It’s intentional FOMO,” or Fear of Missing Out, festival director Amanda Bullock told Taylor. “There’s always something happening, a new event starting every 15 minutes. Even if one thing is full, there’s always something else to check out.”

Checking the goods at 2018’s Portland Book Festival. Photo courtesy Literary Arts

Among this year’s headliners will be the big-idea journalist Malcolm Gladwell and former Ambassador to the United Nations Susan Rice. As always, the party will be overflowing with authors, readers, speeches, workshops, browsers and impromptu discoveries – a blossoming of language for a book-besotted town. As for that name change, the beloved Wordstock rebranded itself last year, trading in its smart, snappy, cheeky, and memorable monicker for something that sounds a little more boardroom drab. On its web site, the festival explains the change. I’m not convinced. Then again, open book, open mind: Maybe I’m just reading too much into it. 

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Portland Book Festival: Sometimes too much is a good thing

The Portland Book Festival moves outdoors to accommodate both the crowds and the profusion of writers

By KATIE TAYLOR

Literary Arts will pitch a big tent in Shemanski Park on Saturday, November 9, and it will be full of authors and the readers who love them. 

Portland Book Festival (formerly known as Wordstock) challenges the unpredictable outdoors this year, moving its popular “In Conversation” stage out of Portland Art Museum’s Crumpacker Library and into the park, courtesy of Portland Parks Foundation. The Book Fair will also overflow its indoor boundaries to occupy Portland Art Museum’s Sculpture Garden.

“We needed a bigger space and we were using all we had, so we made a new one,” said festival director Amanda Bullock.  

A scene from the book fair of the 2018 Portland Book Festival/Photo courtesy Literary Arts

A circus is a good analogy for Portland’s big annual book event, with its 100+ authors appearing on nine stages all in one dense, delirious, daylong literary orgy.

Malcolm Gladwell is one of the headliners of this year’s Portland Book Festival./Photo courtesy Literary Arts

“It’s intentional FOMO,” Bullock said. “There’s always something happening, a new event starting every 15 minutes. Even if one thing is full, there’s always something else to check out.” So, don’t worry: Everybody’s missing out on something!

This is the fifth year Bullock has organized the festival, more fully realizing her guiding ethos for the event each time. “We want to be a festival for every kind of potential reader. Diversity of voices is important—age, gender, ethnicity, where they’re from, where they are in their career, what their genre is. The density of the festival is a great way to fulfill that dream.”

With that principle in mind, the Festival has added a new genre this year: romance. “It’s an amazing genre,” Bullock said. “People think of romance as Regency bodice rippers, but there are a lot of really modern stories being told through this genre today.” A panel called “Royal Romance: Modern Love Stories” features New York Times bestselling romance writers Jasmine Guillory and Casey McQuiston, whose recent releases both feature royal affairs. The event is moderated by McKenzie Kozman.

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2018: A roller-coaster arts ride

Baby 2019's raring to get rolling. But first, a stroll down memory lane with Old Man 2018 and his slings and arrows of outrageous fortune.

Well, that was the year that was, wasn’t it? Old Man 2018 limps out of the limelight with a thousand scars, a thousand accomplishments, and a whole lot of who-knows-what. The new kid on the block, Baby 2019, arrives fit and sassy, eager to get rolling and make her mark. She’s got big plans, and the ballgame’s hers to win, lose, or draw.

New kid on the block: 2019 rolls into the picture, fit and sassy and ready to start fresh. (Claude Monet, “Jean Monet on His Hobby Horse,” 1872, oil on canvas, Metropolitan Museum of Art, New York.)

On the Oregon arts and cultural scene, 2018 entered the game with similar high hopes and then handled a lot of unexpected disruption, holding his ground and even making a few gains even as his hair grew thin and gray. He can retire with his head held high, if he’s not too busy shaking it from side to side over the things he’s seen.

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ArtsWatch’s hit parade 2018

2018 in Review, Part 1: Readers' choice. A look back at Oregon ArtsWatch's most read and shared stories of the year

When we say “hit parade,” that’s what we mean. In the first of a series of stories looking back on the highlights of 2018, these 25 tales were ArtsWatch’s most popular of the year, by the numbers: the most read, or the most shared on social media, or both. From photo features to artist conversations to reviews to personal essays to news stories, these are the pieces that most resounded with you, our readers. These 25 stories amount to roughly two a month, out of more than 50 in the average month: By New Year’s Eve we’ll have published roughly 650 stories, on all sorts of cultural topics, during the 2018 calendar year.

 



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And now, the 25 of 2018, listed chronologically:

 


 

Legendary jazz drummer Mel Brown. Photo: K.B. Dixon

In the Frame: Eleven Men

Jan. 2: Writer and photographer K.B. Dixon’s photo essay looks graphically at a group of men who have helped shape Portland’s cultural and creative life, among them jazz drummer Mel Brown, the late Claymation pioneer Will Vinton, Powell’s Books owner Michael Powell, gallerist Charles Froelick, and the legendary female impersonator Walter Cole, better known as Darcelle. Dixon would later profile eleven woman cultural leaders, a feature that is also among 2018’s most-read.

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