Portland QDoc Film Fest

DramaWatch Weekly: Be yourself?

Is there such a thing as "just playing yourself" onstage? What does that mean? Plus, openings, closings, nachos, and a Terrence McNally film

Caroline, or change?

Pretend. Play-acting. Make believe. The actor’s art is a curious challenge: Use your heart and mind, body and soul, to appear to be someone else.

Fine actors do it often. And yet, something in that seeming contradiction at the essence of the art sometimes results in an odd response: “Oh, yeah, he’s a good actor, but he only plays himself.”

That’s a bit of off-the-cuff criticism I’ve heard from time to time in talking to Portland theater fans, and I’ve always been puzzled by it. What does such an assertion imply about the nature (or even the definition) of acting? Is “playing yourself” a shortcut to authenticity or a form of cheating? How do you speak someone else’s words and be yourself, anyway?

Sharonlee McLean, “a force of unearthly brilliance” in “Luna Gale.” Photo: Owen Carey

These and other questions came to mind afresh not long ago when I watched Sharonlee McLean as Caroline, an overworked social worker, in Rebecca Gilman’s Luna Gale, which ended its run at CoHo Theater last weekend. It was another wonderful performance on her part (and from the entire cast, for that matter), but it was her very reliability that reminded me that she’s one of the local performers about whomll I’ve heard that odd opinion: plays herself.

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