Portland Saturday Market

Celebrating connection in many forms

Aleksandra Apocalisse's images foster conversation and imagination at Portland's Saturday Market and beyond

Self-taught, Portland-based artist Aleksandra Apocalisse started painting on a whim when she was 21. “Before that I wasn’t even much of a doodler,” she says. “I don’t know why. I just didn’t really engage in that when I was a kid.” It started when she decided to play with an unopened paint set she bought as a gift for her partner. Astonished by how much fun she had creating images, Apocalisse started to teach herself basic art skills with pens and pencils. Her friends, many of them artists or musicians, encouraged her at this crucial point of development: “They were telling me I should be an artist professionally before I had ever even considered that.” 

After a series of unusual jobs, including farming, teaching children circus arts, and stint as a camp science instructor, Apocalisse reached a turning point while interviewing for graduate programs in neuroscience. Unable to stop thinking about how she would balance the demands of graduate work with her desire to make art, Apocalisse realized that her hobby had become her passion–but could she turn it into a career?

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Now see this: a year in pictures

2018 in Review, Part 6: A baker's dozen pictorial stories from ArtsWatch's photographic artists tell a visual tale of Oregon in 2018

By SARAH KREMEN-HICKS

Writers do tend to go on a bit, don’t we? Maybe we ought to step back now and then, put the pens down, and let the pictures tell the story. In the following photo essays from 2018, ArtsWatch’s photographers serve up visual treats by the baker’s dozen.

 


 

Doug Whyte, executive director of Hollywood Theatre, a historic Portland landmark showing classic and contemporary films. Photo: K.B. Dixon

In the Frame: Eleven men

Jan. 2: K. B. Dixon finds the face of Portland in eleven photos of men who have helped shape its cultural milieu. “A good picture tells a story, and nothing tells a story better—more eloquently, more efficiently—than the human face. The story these eleven faces tell, in part, is Portland’s. These are talented and dedicated people who have contributed in significant ways to the character and culture of this city, people whose legacies are destined to be part of our cultural history.”

 


“The Point Reyes, Tomales Bay.” Photo: Austin Granger

Austin Granger’s commonplace miracles

March 17: “The one of the Point Reyes boat is sentimental. I’ve photographed that boat so many times that it’s become almost a living person. I’m making a record of the winter of its life. I’m interested in how things change. I’m interested in time. What is photography about if not time?” Austin Granger talks with Angela Allen about photography and his favorite subjects: a boat and his daughter.

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