Portland Sings

Describing a work of art as “classic” can mean many things, but it usually connotes a sense of durability, of solidity, of wholeness. Those qualities are likely to come in handy for the four theatrical classics currently being run through the modernizing, re-energizing, hybridizing, multi-disciplinary mill of the CoHo Lab.

Continuing to emphasize the development of new work, CoHo Productions has hosted four projects for workshop time during the past two weeks. On Sunday evening it will present excerpts from the four plays in-progress:

Crucible — Philip Cuomo, CoHo’s producing artistic director, flexes his creative artistic muscles with a radical take on the Arthur Miller classic, re-imagined with the help of the CoHo Clown Cohort. Consider it a follow-up to his highly successful comic-yet-poignant clown version of The Glass Menagerie.

 

Scary clowns: A cross-wielding Maureen Porter terrorizes Olivia Weiss in rehearsal for Philip Cuomo’s clowning adaptation of “The Crucible.” Photo: Jessica Dart

House of the Living — director Samantha Shay’s dance-theater interpretation of Ibsen’s Hedda Gabler as “psychosexual grande ballet.”

Girl v Troll (or Dam Things) — A.R. Nicholas (collaborating with a cast that includes such fine actors as Nick Ferrucci and Cecily Overman) braves a troll’s lair, but somehow infuses an internet-age story with the tragic princess Electra as a sort of Greek chorus.

Fire & Meat — writer/director Eve Johnstone looks at the ancient poem Beowulf by way of John Gardner’s perspective-shifting 1971 novel Grendel, employing both feminist analysis and puppetry.

Continues…