Portland street murals

Dramatic? It’s like an opera out there

ArtsWatch Weekly: Where's Frida; how to (maybe) reopen; farewell to Ross McKeen; puppets; comics; art that tells stories & more

AS WE ZOOM PAST THE ONE-YEAR MARK IN ENFORCED ISOLATION, shutdowns have caused havoc everywhere, sometimes straining well-run organizations and sometimes exposing structural weaknesses that pre-existed the pandemic. Being big can be a problem in itself: You might begin with a bigger bankroll, but the larger a group’s budget, the harder it is to shift direction, and the more a shutdown stands to imperil the entire operation. Being small can mean you’re nimble, but it can also make it tough to scrape up the wherewithall to hunker in and just survive for a while.

Portland Opera’s “Frida”: heading to the great outdoors? Photo: Keith Blakoff/Long Beach Opera

How’s that playing out in the world of opera? Herein ArtsWatch presents a new three-act contemporary work, which we’ll refrain from calling Stayin’ Alive:

ACT ONE: New York’s Metropolitan Opera is undergoing monumental convulsions, as Julia Jacobs reports in The New York Times, with 40 percent of its laid-off musicians leaving the expensive New York area, and abrasive battles being waged between management and unions. Massive debt is being piled up, veteran musicians are choosing to retire, and shop work is being farmed out to non-union companies as management pushes for big salary cuts. (Subtheme: Conductor and music director James Levine, the leading artistic force at the Met for almost a half-century until being fired in 2018 over multiple allegations of sex abuse and harassment, died at age 77 on March 9, it was reported Wednesday.)

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