Portland Tap Festival

Dance is a global affair this spring, a series of international alliances and cultural collaborations that we can enjoy both in person and from afar.

Merce Cunningham centennial celebrations are in full swing all over the world and will continue throughout the summer. (Cunningham’s actual birthday, April 16, saw dancers in London, L.A., and New York City performing his work in a live stream of Night of 100 Solos). The Bolshoi, meanwhile, continues its live streaming series with that most Russian of ballets, Petrushka, showing this month in local theaters with a Cuban partner, Alfonso Alonzo’s Carmen Suite (see below). Not to be outdone, Eugene’s Ballet Fantastique is offering a live broadcast of its world-premiere work Cleopatra (see below). And BodyVox returns with the Contact Dance Film Festival, featuring shorts and feature-length dance movies created by choreographers from all over the world (see below).

On local stages, you’ll find a full complement of dance styles and traditions, sometimes intersecting in unexpected ways. To wit: our first entry.

International and cultural dance styles

Dormeshia Sumbrey-Edwards. Photo by Eduardo Patino

Tap dancer Dormeshia Sumbry-Edwards finds commonalities with kathak dancer Seema Mehta at Interwoven. Photo by Eduardo Patino.

Interwoven: Kathak/Tap, and Sitar
Featuring Seema Mehta, Dormeshia Sumbry-Edwards, Josh Feinberg, and Nilan Chaudhuri
May 5
Old Church, 1422 SS 11th St.

In April, White Bird brought us Savion Glover, one of tap’s brightest lights. This month we’re treated to another: the Bessie Award-winning hoofer Dormeshia Sumbry-Edwards. Like Glover, she’s a veteran of film (Tap, Bamboozled) and Broadway (Black and Blue, Bring in Da’Noise, Bring in Da’ Funk), and her appearance is one of the better kept secrets on the Portland performance calendar.

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DanceWatch Weekly: Helen Simoneau and “Closer”

Oregon Ballet Theatre ends its season at BodyVox with an intimate program, led by Helen Simoneau's "Departures"

This week Oregon Ballet Theatre closes out its 2017-2018 season with “Closer,” an intimate showing at BodyVox Dance Center of new works choreographed by OBT rehearsal director Lisa Kipp, OBT company dancers Katherine Monogue, Makino Hayashi, and Peter Franc, alongside Helen Simoneau’s Departures. Simoneau’s ballet was commissioned by OBT in 2017 as part of OBT’s Choreography XX project to discover new women choreographers in ballet. The works by OBT dancers will be accompanied by commissioned musical compositions from Grammy award-winning remix artist, Andre Allen Anjos.

Additionally, OBT artistic Director Kevin Irving will rehearse the dancers in a Nacho Duato duet, live, as a means to open up the creative process experience for audiences to see. Each night—and there are eight of them—will involve a lottery to choose which of the company dancers gets to dance in the open rehearsal that night.

Last summer I sat down with choreographer Simoneau, to learn about her work, her process, and her dance company. Included in my conversation with Simoneau were questions I had at the time about how Portland State University’s shuttering of its dance program would affect the Portland dance community, how she defines classical ballet, and where ballet is headed.

Simoneau is an independent choreographer, dancer, and teacher, who, at the time of our interview, lived in Winston-Salem, North Carolina, and directed her own 12-member dance company. Helen Simoneau Danse had a yearly season in North Carolina and seasons every other year in New York.

Since I spoke with her last, Simoneau spent the rest of summer 2017 at the Banff Centre in Canada performing in a work by Belgian choreographer Sidi Larbi Chekaoui, provided choreography for a Joan Baez music video performed by New York City Ballet dancer Claire Kretzschmar, worked with LA-based company BODYTRAFFIC at The National Choreographic Center in Akron, was a Fall Fellow at the New York University Center for Ballet (where she created a new ballet on pointe for six dancers), toured her evening-length work Land Bridge with her company, created and restaged works for the students of University of North Carolina School of the Arts in Winston-Salem, University of the Arts in Philadelphia, Goucher College in Baltimore, and for Virginia Commonwealth University in Richmond. She is currently an artist-in-residence at NYU Tisch School of the Arts, and now lives in Brooklyn, NY, while maintaining a performing season in Winston-Salem, North Carolina.

Simoneau is an incredibly inspiring artist, to me, and one of the few people I know actually making a living full-time as a dance artist. Our conversation unfolds below.

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