POWFest

Film Notes: new NWFC calendar, POWFest call for entries

Summer viewing starts to come into focus w/schedules for the Portland Jewish Film Festival & Top Down now online

  • The Northwest Film Center has started to post its summer schedule, including the lineups for June’s Portland Jewish Film Festival and the annual Top Down Rooftop Cinema. Highlights of the former include Natalie Portman’s feature directing debut, the Amos Oz adaptation “A Tale of Love and Darkness” (June 18), the Polish horror film “Demon,” which played during this year’s PIFF After Dark (June 26), and the French drama “Once in a Lifetime” (June 29), written by high school student Ahmed Drame and based on his experiences learning about the Holocaust. Documentary profile subjects include Norman Lear and Hannah Arendt. The festival runs from June 15-29.

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ArtsWatch Weekly: farewell jazz fest, young lovers, noblesse oblige

A look at the week that was in Oregon arts. A glimpse ahead at the week that's going to be.

Well, that was quite a week, wasn’t it?

  • We saw Downton Abbey off to that great fox hunt in the sky, with a whizbang final episode that brought babies and pairings-off tumbling into the untaped future and put a stamp on the age of noblesse oblige. All in all it was, we noted (quoting the most excellent Dowager Countess Maggie Smith, for so we tend to think of her), “happy enough.”
  • We wrapped up the latest PDX Jazz Festival, which was dedicated to John Coltrane and his fellow reed players but was at least as notable, Angela Allen writes, for the excellence of its pianists. Allen praised the likes of sax virtuosos Nicole Glover, Sonny Fortune, Ravi Coltrane, and others, then added: “The keyboardists, though, stole my heart — not only the soloists but the sidemen who played in trios and quartets, duos and big bands, alongside the headliners.” The esteemed jazz journalist Doug Ramsey was in town for the festivities, too, and filed several reviews on his excellent site Rifftides, which we’ve reprinted with his permission here. Also, do take a gander at Mark Sheldon’s wonderful photos accompanying both stories of musical moments frozen in time, including this one, of 77-year-old sound explorer Charles Lloyd:
Charles Lloyd © 2016 Mark Sheldon

Charles Lloyd © 2016 Mark Sheldon

  • And we took a multifaceted look at Oregon Ballet Theatre’s newly announced season and its just-closed revival of James Canfield’s Romeo and Juliet, a long-missing company cornerstone: Canfield, OBT’s founding artistic director, brought it into the company with him when OBT was formed in 1990, but until this production it hadn’t been seen onstage here in more than fifteen years. First, in Sweet tragedy: rehearsing ‘R&J’, Martha Ullman West delves into the rehearsal hall and the ballet world’s history with Shakespeare’s teenage tragedy. Then, in Ballet masters of the 21st century, dance journalist and former dancer Gavin Larsen follows OBT’s ballet masters Lisa Kipp and Jeff Stanton as they prepare the company’s dancers for the ballet. Finally, in A fresh ‘R&J,’ a fling with the giants, Ullman West talks about OBT’s just-announced 2016-17 season (called Giants) and reviews the performance of R&J, in which she finds Ansa Deguchi revelatory as Juliet.

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