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45th Parallel’s real-time music video

An interview with Ron Blessinger

It’s such a weird thrill going to Oregon Symphony concerts, looking down into the string section with its fifty-odd neatly seated performers, and seeing 45th Parallel Universe Executive Director Ron Blessinger, buried in the violins, attentively warming up his bow with the rest of the office. That’s how it goes with this orchestra: scan the rest of that string section and you’ll see local composers Nancy Ives, James Shields, and usually Kenji Bunch. Up in the back, Niel DePonte tightens cymbal stands and organizes mallets. Supergroup!

In 2018, when Blessinger took the reins of local music organization 45th Parallel (founded ten years earlier by his fellow symphony violinist Greg Ewer), he immediately expanded the relatively loose-knit group into a Universe of ensembles drawn mostly from the ranks of Oregon Symphony principal players. The Parallel Universe has exploded all Marvel crossover-like in the last season and a half, with a wide range of classical music concerts all across the Old Versus New abyss. Our personal favorite highlight (so far) was 45||’s double concert last year pairing Mousai Remix’s beautifully economical black composer history lesson with a Pyxis Quartet concert featuring new work by local composers created in collaboration with local poet Micah Fletcher.

Micah Fletcher and Pyxis Quartet at The Old Church in 2018. Photo by Seth Nehill.
Micah Fletcher and Pyxis Quartet at The Old Church in 2019. Photo by Seth Nehill.

Tonight, 45th Parallel presents the latest result of their restless creativity: Les Boréades, an evening of French music performed on a square stage inside the PICA building, two sides open to the audience and a pair of projection screens on the others. We’ve just learned that the concert is down to standing room only, which suits this eternally peripatetic music journalist just fine. Come early for a discussion of The Frame with the concert’s visual/psychological collaborators, and wear comfy shoes for your circumambulatory musical adventure.

We spoke with Blessinger by phone; his answers have been condensed and edited for flow and clarity.

On collaboration and performance space

I go way back with Brad Johnson, the lead artist. He used to be the principal of Second Story Interactive, and I did a project with him where we used existing technology to create what you could call a virtual venue. We did something similar just about 15 years ago. This time around we came up with a musical program–a survey of French music–and then we were thinking of where to perform it.

Continues…