Reed College Dance Department

DanceWatch Monthly: February is all about the love

February in Portland dance is all about love and its many forms (not just Valentine's Day)

It’s February and love is in the air. Dance performances this month, appropriately enough, express love in a wonderful variety of ways. From the familiar romantic love to platonic love. From the love of connecting with community too connecting with oneself. From the love of music to the love of pure movement. From the love of sharing, to the love of technology, to the love of the wild. From the love of experimentation and research to the love of a good book and a good story, to the love of intimacy, and to the love of things big and small. For the love of god. For dance itself and for the gift of emotional expression. 

“To dance is to be out of yourself,” American choreographer Agnes de Mille famously proclaimed. “Larger, more beautiful, more powerful. This is power, it is glory on earth and it is yours for the taking.” 

So, let’s dance, and do it with love.

Dances in February

Week 1: February 1-2

Holy Goats!
Performance Works N
2 pm February 2
Performance Works NW, 4625 SE 67th Ave

Holy Goats! Sunday afternoon improvisations and bagels are back!  This new iteration will be devoted to dance and music by Portland-area and visiting artists. The dancers include Allie Hankins and Caspar Sonnet, Pepper Pepper, Tracy Broyles + Adrian Hutapea + jaime lee christiana, Luke Gutgsell + Kennedy Verrett. The musicians: Catherine Lee, Caspar Sonnet, Dan Sasaki, Annie Gilbert, and Stephanie Lavon Trotter.

Founded in 1999 by Artistic Director Linda Austin and Technical Director Jeff Forbes, Performance Works NorthWest || Linda Austin Dance engages artists and audiences of the Pacific Northwest in the process of experimentation, creation and dialogue around the presentation of contemporary performance. 


DanceWatch Weekly: Dance for occasional sun

The Martha Graham Dance Company visits and the local dance concerts are robust

While basking in the long-awaited, but intermittent, sunshine this weekend (depending on which weather forecaster you follow), you have your choice of dance events that cover that gamut of genres from ethnic to classic. Some of them even dare to venture outdoors.

May is Asian Pacific American Heritage Month, a month chosen to commemorate the immigration of the first Japanese to the United States on May 7, 1843. May also marks the anniversary of the completion of the transcontinental railroad on May 10,1869. (Chinese workers made up a large part of the workforce for the line.)

Lan Su Chinese Garden in downtown Portland will be hosting a month-long celebration of the month with performances every Saturday and Sunday by local cultural organizations and dance troupes representing India, Nepal, Thailand, China, Indonesia, Cambodia, Hawaii/Pacific Islands and more. Events begin this Saturday. Check out Lan Su Chinese Garden’s website for the full schedule.

In Portland’s contemporary dance world, Portland artist Taka Yamamoto’s will debut Direct Path To Detour, a new dance work created in collaboration with composer Jesse Mejía that will open Thursday night at Portland Institute of Contemporary Art’s new headquarters in Northeast Portland.

Friday brings an end-of-the-school-year showing of dances from the Reed College Dance Department students and faculty, and a work for the students by Israeli choreographer-in-residence, Iris Erez.

Also on Friday night, Seattle choreographer Alice Gosti will unveil a new work-in-progress at Performance Works NW followed by a reception and a workshop the following day at Flock Dance Center.

Saturday, Tempos Contemporary Circus, Vitality Dance Collective, and the Inclusive Arts Vibe Dance Company open with a variety of dances using the brain and body in a myriad of creative ways.

Next Wednesday, the Martha Graham Dance Company closes out the White Bird season, and Portland dance artist Lu Yim will open up her new work for viewing and discussion at Flock Dance Center as part of the Critical Engagement Series hosted by Flock and dance artist Tahni Holt.

Performances this week

Direct Path To Detour by Taka Yamamoto, May 4-7. Photo courtesy of Portland Institute for Contemporary Art.

Direct Path To Detour
Choreography by Taka Yamamoto, music composed by Jesse Mejía, and dramaturgy by Lu Yim
Produced by Portland Institute for Contemporary Art
May 4-7
Portland Institute For Contemporary Art at Hancock, Annex, 20 NE San Rafael St.
Direct Path To Detour is a new dance work created by Portland artist Taka Yamamoto. The work, produced by the Portland Institute for Contemporary Art, explores dance as a fully embodied physical and mental experience that contains value systems, social pressures, expectations, and the embodied personal experiences of the performers and their multiple societies of birth, residence, upbringing and religion. Direct Path To Detour will be performed by Yamamoto, dancer Julian Barnett, performance artists Ayako Kataoka, and performance artist and writer sidony o’neal, to a musical composition by Jesse Mejía.

Yamamoto, originally from Shizuoka, Japan, holds an MFA in Visual Studies from Pacific Northwest College of Art and works in live performance, sculpture, and photography. He is one quarter of the Portland-based group Physical Education with Allie Hankins, keyon gaskin, and Lu Yim.

Reed College Dance Department Spring Concert, 7 pm May 5. Photo by Gordon Wilson.

Reed College Dance Department Spring Concert
7 pm May 5
Reed College, Greenwood Performance Theater, 3203 SE Woodstock Blvd.
The evening will feature choreography by Reed College dance majors, a collaboration between the Reed Chorus and Collegium, conducted by John Cox, and a work by Israeli choreographer-in-residence, Iris Erez.

Also included in the program will be a new work by Department Chair Carla Mann that is structured on the principles of classic jazz, and a piece by Professor of Dance Minh Tran, inspired by Trisha Brown’s 1983 work Set and Reset, that focuses on the principles of simplicity, acting on instinct, staying on the edge, and working with visibility and invisibility.

Alice Gosti: Happy Hour Showing, 4:30 pm May 5. Photo courtesy of Performance Works NW.

Alice Gosti: Happy Hour Showing
Hosted by Performance Works NW/Linda Austin Dance
4:30 pm May 5
Performance Works NW, 4625 SE 67th Ave.
Workshop 12:30-2:30 pm May 6 at Flock Dance Center, 8371 N Interstate Ave.

Seattle artist Alice Gosti will be in residence at Performance Works NW this week working on her new project, Material Deviance In Contemporary American Culture.

The work, according to Gosti, is an “immersive installation” that includes dance, video, 3D mapping, and an e-zine, and weaves “the stories and physical histories of: immigrants and refugees who carry their homes on their shoulders; hoarders who compulsively accumulate anything and everything; and America’s growing homeless population.” The dance grapples with the “complexity of living in an object-based society where we define our identity through the objects we own.”

The residency will culminate in a reception, a sharing of the work, and a workshop the following day with Gosti at Flock Dance Center.

Asian Pacific American Heritage Month
May 6-28
Lan Su Chinese Garden, 239 NW Everett St.
See above.

Vitality Dance Collective presents Place, 5 pm May 6. Photo courtesy of Vitality Dance Collective.

Vitality Dance Collective
5 pm May 6
Polaris Dance Theatre, 1826 NW 18th Ave
This collective of nine dancers will perform an evening of dance works in a variety of styles that look to the past, present, and future.

Vitality Dance Collective, a vision of Kristina York, was created for adults dancers who dance, but don’t have the time to dedicate themselves full-time to the art. The company acts as a collective, supporting the choreographic vision of all its members, and enjoys being undefinable. They are about innovation, authenticity and fun.

The Tempos Contemporary Circus presents In Close Proximity, May 5-7. Photo courtesy of The Tempos Contemporary Circus.

In Close Proximity
The Tempos Contemporary Circus
May 5-7
Echo Theatre, 1515 SE 37th Ave.
Kraig Mead, the director of Tempos Contemporary Circus, a Portland-based company that combines physical theatre, acrobatics, aerial arts and dance, is interested in the in-between—ideas and movement not normally illuminated.

In his new work In Close Proximity, developed in collaboration with musicians Zack Borden and Sean Daly, he furthers this investigation by asking what happens when you break the traditional relationship between dancer and musician in performance, switching back and forth between who leads and who follows, say, or what happens when you break the rules of personal space.

Inclusive Arts Vibe Dance Company presents Chickens and Cheese Pizza, May 5-7. Photo courtesy of Inclusive Arts Vibe Dance Company.

Chickens and Cheese Pizza
Inclusive Arts Vibe Dance Company, Disability Arts and Culture Project
May 5-7
Friday May 5: 10:30 a.m. – 11:45 a.m. Free community performance*
New Expressive Works, 810 SE Belmont St.
Inclusive Arts Vibe Dance Company, founded in 2005 by Kathy Coleman (current director), Erik Ferguson (co-artistic director of Wobbly Dance), and Jody Ramey, is a mixed-ability, mixed-age dance company that aims to further the artistic expression of people with apparent and non-apparent disabilities, by providing dance, choreography and performance as an artistic outlet.

Chickens and Cheese Pizza, is to be performed by Daric Anderson, Eleanor Baily, Arrow Bless, Ryan Blumhardt, Rachel Esteve, Peter Heiken, Addie Nelson, Monique Peloquin and Scott Selby (you can read their full bios here), is a collection of five dances choreographed by company members, that dig into the human experience, exposing a full spectrum of emotions.

Critical Engagement Series with Lu Yim
Hosted by Flock Dance Center/Tahni Holt
8:30 pm May 10
Flock Dance Center, 8371 N Interstate Ave.
The Critical Engagement Series at Flock Dance Center is curated by dance artist Tahni Holt, and “brings together audiences and choreographers in hopes to reveal some of the mystery surrounding the languages around dance and the unique practices of individual choreographers. We start with the question: What does the choreographer need at this particular moment in their process and how might this also serve the wider community.”

Now Dynasty Beneath the Stormy Water, a work-in-progress by Portland artist Lu Yim, examines the tension between objecthood and subjecthood.

Martha Graham Dance Company presented by White Bird, 7:30 pm May 10. Photo courtesy of White Bird.

Martha Graham Dance Company
Presented by White Bird
7:30 pm May 10
Pre-show Conversation 6:45-7:15pm with Artistic Director Janet Eilber, former dancer/choreographer Keith martin and Portland dance artist Josie Moseley, Schnitzer Lower Lobby
Arlene Schnitzer Concert Hall, 1111 SW Broadway

Closing out White Bird’s 19th season, the Martha Graham Dance Company, Celebrating its 90th year running, will present a selection of works choreographed by Graham herself, and works choreographed by current, well-known artists on the Graham company.

On the program will be Diversion of Angels, choreographed by Graham in 1948 that abstractly describes three different aspects of love, Dark Meadow Suite a rearrangement of Graham’s Dark Meadow (1946) by Artistic Director, Janet Eilber, Rust created in 2013 for five male dancers by Spanish choreographer Nacho Duato that speaks about violence and terrorism in our world today, and Mosaic by Sidi Larbi Cherkaoui (Artistic Director of the Royal Ballet of Flanders, and an associate artist at Sadler’s Wells in London) that is inspired by Middle Eastern culture, and the repetitious patterning in mosaic artwork.

Performances next week

May 6-28, Asian Pacific American Heritage Month, Lan Su Chinese Garden, dance performances representing India, Nepal, Thailand, China, Indonesia, Cambodia, Hawaii/Pacific Islands and more
May 13, Feria de Portland, hosted by Espacio Flamenco Portland and La Peña Flamenca de Portland
May 13, A Midsummer Night’s Dream, Anjali School of Dance
May 14, Memories of Mom, Presented by Wanderlust Circus and 3 Leg Torso
May 16-21, An American in Paris, Presented by U.S. Bank Broadway in Portland

Upcoming Performances

May 6-28, Asian Pacific American Heritage Month, Lan Su Chinese Garden, dance performances representing India, Nepal, Thailand, China, Indonesia, Cambodia, Hawaii/Pacific Islands and more
May 19-21, Junior Artist Generator, BodyVox Dance Company
May 20, The Art of Nattuvangam: South Indian Classical music and dance, Hosted by New Expressive Works and Anjali School of Dance
May 20-21, The Future is Female, Mixed Dance Company
May 21, Refinery: A Work in Progress Showcase, Hosted by Dance Wire
May 26-28, N.E.W. Residency performance, Dora Gaskill, Jessica Kelley, Stephanie Schaaf, and Michael Galen
May 26, 6×6: A PDX Choreographers Showcase, PDX Dance Collective
May 26-27, Spring Concert – Tribute to the Ballet Russes, Featuring work by Michel Fokine, Tom Gold, George Balanchine, and Lane Hunter, The Portland Ballet
June 2-4, Interum Echos, PDX Contemporary Ballet
June 10-11, Dance Out Loud, Directed by Oluyinka Akinjiola and Donna Mation
June 2-17, The Goblin King, A David Bowie and Labyrinth Tribute, Trip the Dark Dance Company
June 8-10, Summer Splendors, NW Dance Project
June 23-24, Risk/Reward Festival Of New Performance, Produced by Jerry Tischleder
June 27-July 2, Cabaret, Presented by U.S. Bank Broadway in Portland
June 29-30, Choreography XX, Oregon Ballet Theatre
July 8, Ten Tiny Dances, Beaverton Farmers Market, Directed by Mike Barber
July 15, Pretty Creatives Showing, NW Dance Project
August 24-September 6, Portland Dance Film Fest, Directed by Kailee McMurran, Tia Palomino, and Jess Evans
August 24-October 8, Kurios: Cabinet Of Curiosities, Cirque Du Soleil

DanceWatch Weekly: Dance that travels

This week's performances move back in time, into our minds, to alternate states of reality, and to different countries around the world

This weekend’s performances offer us a chance to travel—back in time, into our minds, to alternate states of reality, and to different countries around the world. It’s a chance to experience the world through others’ lived experiences.

Beginning this weekend’s journey will be the The Bacchae, performed by the Portland State University School of Theater and Film with choreography by Tere Mathern. Next up on the itinerary will be White Bird’s performance of Cuisine & Confessions, during which the 7 Fingers Creation Collective from Quebec will cook and dance for us in real time. Then we will meet Iris Erez from Israel, who will dance about identity and place. Portland choreographer and scholar Eliza Larson’s caste of seven dancers will take us to dreamland in her new work In Circadia. We will dance battle with Bang Bang Boogie Vol. 5 at Center Space. Next, travel on to India/Portland with the Nritya Shubha Dance Festival, which will debut five styles of classical Indian dance at the Alberta Rose Theatre.

All of this traveling right here at your fingertips, and you didn’t even have to leave your own city, pack a bag, or renew your passport. You’re welcome. Enjoy!

Performances this week

Cuisine & Confessions. Photo courtesy of White Bird.

Cuisine & Confessions
The 7 Fingers Creation Collective, Montreal, Quebec
Presented by White Bird
March 2-4
The Newmark Theatre, 1111 SW Broadway
This nine-member ensemble will cook live on stage while dancing, performing acrobatic feats, and telling tales of family and food. Cuisine & Confessions draws on the idea that food, like DNA, contains our memories of family and place. Those memories are evoked through the tastes, smells, and textures of the food we eat, and that life, like cooking, is inherently messy.

Three interesting things to know about the show: all of the stories told during the performance are true, the set is inspired by the cast’s own home kitchens, and the cast members take turns washing the dishes after each show.

The Bacchae
Written by Euripides, translated by William Arrowsmith
Portland State University School of Theater and Film
Choreography by Tere Mathern
Music composed by Matthew Andrews
March 2-11
Low cost preview March 2
Portland State University, Lincoln Performance Hall, 1620 SW Park Ave
The Bacchae, an ancient Greek tragedy written almost 2500 year ago, is still strangely relevant today, as it grapples with the opposing sides of human nature—the rational, civilized side and the instinctive, animalistic side. With choreography by Portland choreographer Tere Mathern and original music composed by Matthew Andrews, this play promises to shed new light on ancient topics through a modern-day lens.

Local (not easy) by Iris Erez. Photo courtesy of Reed College Dance Department.

Local (not easy)
Iris Erez
Presented by Reed College Dance Department
March 3-4
Reed College, Massee Performance Lab, 3203 SE Woodstock Blvd
Israeli dance artist Iris Erez, a former dancer with Inbal Pinto and Yasmeen Godder, will perform Local (not easy), a solo study on how space constructs the activity of body within it. Erez says, “As one who moved from the city to the village, from the beach to the mountain, from the bubble to the borderline, from singlehood to motherhood—I wish to discover how does space influence me and how does it make me who I am.”

In Circadia
Eliza Larson/Fault Line Dance
March 3-5
BodyVox Dance Center, 1201 NW 17th Ave
Originally inspired by her own insomnia and her out-of-step circadian rhythm, Portland choreographer and scholar Eliza Larson (recently seen in Tahni Holt’s Sensation/Disorientation), explores the dream state—where reality and fiction are intertwined, and the impossibilities become possible—in a new work for seven dancers (Katie Burks, Taylor Eggan, Sara Himmelman, Erin Kraemer, Eliza Larson, Ella Matweyou, and Ruth Nelson). The work shifts between improvisation and choreographic design tapping into the body’s innate, fluid ability to move between different states of being.


Bang Bang Boogie Vol. 5
Dance Battle Produced by Donna Mation
March 4
Doors open 5pm, prelims start at 6pm
Center Space Studio, 420 SE 6th Ave
Donna Mation, owner of Center Space Studio, artistic director of Axé Didé Music and Dance Company, and dancer extraordinaire in a multitude of styles, is uniting the NW street-dance community through regular, themed, dance battles. This month’s battle theme is Bonnie and Clyde—dancers partner up and battle against other dynamic duos for cash prizes. The magic is in the moment in this evening of improvised performances.

Dancers Maya Dhananjay and Mudra Dhananjay. Photo courtesy of Nritya Shubha Dance Festival.

Nritya Shubha Dance Festival
A Unique Confluence Of Indian Classical Dance
Presented by Yashaswini Yaghuram and Alberta Rose Theatre
5 pm March 5
Alberta Rose Theatre, 3000 NE Alberta St
India’s history goes back thousands of years and its keepers of cultural history were the Brahmins (a station in the Hindu caste system whose job it is to perform religious rituals and to act as an intermediary between God and the people) and the artists. Before there was written language, the Brahmins spoke the religious stories and the dancers danced them.

Like its variety of languages, India also has many dance styles, but the most popular and widely known are Bharatnatyam, Odissi, Kathak, Mohiniyattam, and Kuchipudi. Each are from a different region of Indian and each tells the scriptural stories in slightly different ways, utilizing every moving part of the body, from the eyebrows, to the tips of the fingers, to the bend in the waist and the knees.

Luckily for us, each of these dance styles will be represented in this evening of dance performed by Portland dancers, alongside visiting professionals dancers from India.

Performances next week

March 9-11, Companhia Urbana De Danca, Presented by White Bird
March 10, Spectacle Garden 10: Dance Party, Hosted by Ben Martens
March 10-12, TPB Studio Company Performance-Featuring dances by Anne Mueller, Jamey Hampton and Ashley Roland, John Clifford and guest artists from Kukátónón Children’s African Dance Troupe, The Portland Ballet
March 10-16, Mr. Gaga, Living Room Theatres
March 10-19, In The Heights, Portland Community College

Upcoming performance

March 16-18, Carmen, NW Dance Project
March 17, The Baroque Dance Project, Alice Sheu and Julie Iwasa
March 19, Duality: Dance Ballet of India, Presented by Rasika
March 19, BodyVox and Oregon Symphony collaboration performance
March 23-April1, Skinner/Kirk Dance Ensemble, Presented by BodyVox
March 24, Shaping Sound, Travis Wall, Presented by Portland’5
March 24-25, Alembic Double Bill: Claire Barrera and Noelle Stiles, Presented by Performance Works NW / Linda Austin Dance
March 31, Junk in da Trunk, Tempos
April 2, Sahomi Tachibana Dancers, Portland Japanese Garden
April 4-5, Shen Yun, Presented by Oregon Falun Dafa Association
April 6-8, Ronald K. Brown/Evidence, Presented by White Bird
April 8-9, The Snow Queen, Eugene Ballet Company
April 10, Noontime Showcase OBT2, Presented by Portland’5
April 15, Synesthesia, BodyVox, TEDx Portland
April 15, Bridge the Gap, Presented by Sepiatonic
April 13-22, Terra, Oregon Ballet Theatre
April 14-16, New work by Jin Camou, Performance Works NW Alembic Co-Production
April 25-26, Che Malambo, Presented by White Bird
April 27-29, Contact Dance Film Festival, Presented by BodyVox and NW Film Center
April 28-29, Appalachian Spring Break, Scotty Heron and Brendan Connelly, Presented by Performance Works NW / Linda Austin Dance
May 4-7, Taka Yamamoto, Produced by Portland Institute for Contemporary Art
May 5, Spring Dance Concert, The Reed College Dance Department
May 5-7, Inclusive Arts Vibe Annual Performance, Disability Arts and Culture Project
May 10, Martha Graham Dance Company, Presented by White Bird
May 26-28, N.E.W. Residency performance, Dora Gaskill, Jessica Kelley, Stephanie Schaaf, and Kumari Suraj
May 26 – 27, Spring Concert – Tribute to the Ballet Russes, Featuring work by Michel Fokine, Tom Gold, George Balanchine, and Lane Hunter, The Portland Ballet
June 2-4, Interum Echos, PDX Contemporary Ballet
June 8-10, Summer Splendors, NW Dance Project
July 15, Pretty Creatives Showing, NW Dance Project
August 24-September 6, Portland Dance Film Fest, Directed by Kailee McMurran, Tia Palomino, and Jess Evans