Refuge play

One year after: Waking up to the slow thaw

ArtsWatch Weekly: A year into shutdown, signs of revival: Stimulus aid for the arts, museums reopening, a theater with an audience of 1 to 5

A YEAR AGO TODAY I PARKED MY CAR IN FRONT OF MY HOUSE, tossed the key in a drawer, and began to shelter in. Suddenly I was home (if not, thank goodness, home alone), away from the concerts, theater and dance performances, museum visits, coffee-shop conversations with artists and writers, and other rounds that had made up my peregrinations around Portland and the Pacific Northwest going back deep into the previous century. The day before, I’d been at the Portland Art Museum, walking with curator Dawson Carr through Volcano!, the big exhibition of artworks relating to the 1980 eruptions of Mount St. Helens. Scant days later, the museum shut down. As “ordinary” life began to crumble I was also putting the finishing touches on an essay about revivals of two retro plays I’d recently seen – Blood Brothers at Triangle Productions and The Odd Couple at Lakewood Theatre. That piece never went beyond my computer files: Both shows were quickly canceled as Covid-19 restrictions hit Oregon, and the nation, and the world, full force. 

The world had tipped upside down, and the arts & cultural world, which in the intervening twelve months has been devastated economically by shutdowns, tipped with it. Now, after more than half a million deaths in the United States (including more than 2,300 in Oregon) and more than 2.6 million globally, the world is cautiously trying to tip itself back up again. It has a long way to go. Many millions of people in the U.S., and billions globally, are awaiting inoculation, and a new wave of infections is only a few indiscretions, mask-burnings, or rogue viral variants away. But vaccines are being manufactured much more quickly and on a much bigger scale, and delivery systems are improving. Cautious hope, perhaps crossed with reckless impatience, is beginning to rise.                     

Unknown Russian artist, Icon of the Mother of God of the Sign (Platytera) with beaded riza, c. 1800–1850, tempera on wood panel and glass beads, 9” x 8”; Collection of Maryhill Museum of Art; among the featured works as the museum reopens March 15.

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Seeking Refuge: Enjoy a live performance again

Shaking the Tree’s new multimedia installation offers the electricity of in-person theater in a safe viewing experience

Has the past year changed you? Humbled you? Brought you to your knees? 

Has it left you feeling helpless, lost, bereaved? 

Have you shocked yourself with your own strength, with the power you have to endure, to persevere and maybe, just maybe, to overcome?

If the answer to any of those questions is yes, then Refuge, a multimedia installation from Shaking the Tree Theatre, has something for you.

Communing with the goddesses: Take refuge. Photo: Brian Libby

Refuge is a unique performance experience consisting of 11 illustrated panels arranged in a circle, each dedicated to a different goddess (such as Our Lady of the Infinite Night Sky). You and your pod of up to five people sit within the Stonehenge-like circle and listen to audio-based (or, in a couple of cases, watch video-based) stories of these goddesses, each performed by a different person, as they share their wisdom, offer their consolations and remind us of our place in the universe. 

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