rolling premieres

Spotlight on: a theatrical ‘Jump’

In a leap of faith, Confrontation and Milagro collaborate on a "rolling premiere" of Charly Evon Simpson's new play

Expect the unexpected from Confrontation Theatre.

Its second full production, a co-production with Milagro, is Charly Evon Simpson’s Jump, which opens at the Milagro space on Friday. Two full shows in (its first full production was James Webb’s comedy Sibling Rivalry in 2017) and the nascent theater hasn’t come across as a company that, on the surface, might seem particularly “confrontational.” That’s just how artistic director La’Tevin Alexander Ellis wants it.

“Confrontation means to confront all topics,” Ellis says, “all things within the Black community first, and then those outside of our community. It’s not necessarily about picking a fight and arguing, and it’s definitely not just about racism, because that shit gets tiring. There’s not anything stereotypical. There are no caricatures. That’s the goal, that’s the plan – confronting all of that. Not just in the negative of trying to pick a fight with white people.”

Not that Confrontation is averse to more volatile subject matter. In smaller productions, it’s taken on Amiri Baraka’s searing The Dutchman (2015) and took part in 2016’s Every 28 Hours national series of extremely short plays in support of the Black Lives Matter movement. And its next show, another co-production (with Portland Playhouse), will be Dominique Morisseau’s Pipeline, a piece “about the school-to-prison pipeline,” says Ellis. “We’ll come back with the little bit about race there but it’s more about motherhood and how do we respond to this unjust, inadequate educational system.”

In other words, Confrontation Theatre is about presenting and exploring issues that confront the Black community in all its nuance and complexity. Which is what drew Ellis and the rest of Confrontation (actor Andrea Vernae, actor/director Tamera Lyn, sound designer Philip Johnson, education director Jasmine Cottrell and community outreach director Alagia Felix) to Simpson’s multi-faceted jewel of a play, Jump.

Andrea Vernae in “Jump.” Photo: Russell J Young

“These are just people going through human shit,” says Ellis, “and we’re watching it unfold before our eyes. It’s a story about something that really impacts our community but is not explicitly about our community.” Jump is a story that could happen to anybody. The family in this case just happens to be Black. Which is important because the play deals a lot with depression, which is as much of an issue in the Black community as elsewhere, but no one ever talks about it. “Historically, there is a lack of both diagnostic and treatment studies on depression. This lack of studies on depression in African Americans has existed for decades. African Americans are underserved, understudied, and misdiagnosed as a group.” A key study published in 2014 in the journal Frontiers in Psychiatry, Misconceptions of Depression in African Americans, underscores that.

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