Ruth Rolt

Benvenue Trio preview: Viennese action

Historically informed trio debuts an important addition to Oregon's classical music scene

by ALICE HARDESTY

April marks the debut of the Portland Baroque Orchestra’s newest member: the Ruth Rolt fortepiano. Its player is Eric Zivian of the Benvenue Trio, whose other members are violinist Monica Huggett (also PBO’s artistic director) and PBO cellist Tanya Tomkins.

The fortepiano brings an important addition to Oregon’s music scene. It’s a rarer — and to many ears, more precious — keyboard instrument than its modern successor. “If I had my way, they wouldn’t have extended the development of the piano past 1850!” Monica Huggett told Vancouver Classical Music. “A fortepiano or a period piano (such as an Érard or Broadwood) balances so well and allows all the primary colors of the music to surface.” And Zivian says the fortepiano has more character than the modern piano.

Benvenue Fortepiano Trio performs Friday in Portland. Photo: Sisto Flores.

The Ruth Rolt fortepiano allows PBO to bring repertoire that Oregon has rarely heard before. For example, PBO will include in its next season one of Mozart’s last piano concertos played by Zivian on the Rolt fortepiano. This Friday, April 6, the Trio plus its new member will perform works by Mozart, Haydn, Hummel, and the Hungarian composer Józef Koschovitz at Portland’s First Baptist Church.

William Rolt and Portland poet Judith Barrington donated the Ruth Rolt fortepiano to the Portland Baroque Orchestra, in memory of his mother and her sister, respectively. Poet, memoirist, writer, and teacher Barrington, who could be considered the fortepiano’s aunt, is well known to the Oregon literary community, but not many Oregonians know about her late sister the concert pianist. You could say that love brought this precious instrument to Oregon — a pianist’s love for early classical music, for this instrument’s special qualities, and for Oregon.

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