ryan mcadams

Eugene Symphony music director search: Clear choice

With the orchestra’s series of audition concerts now complete, one candidate stands head, shoulders, and baton above the rest

by TOM MANOFF

The Eugene Symphony has announced three candidates to succeed current conductor Danail Rachev: Dina Gilbert, Ryan McAdams and Francesco Lecce-Chong. As ArtsWatch’s feature about the selection process showed, all three young, rising conductors offered strong credentials in the race to join a distinguished lineage that includes stars Marin Alsop and Giancarlo Guerrero.

Francesco Lecce-Chong led the Eugene Symphony last week. Photo: Amanda Smith.

But the ultimate test was how successfully they directed the musicians each aspires to lead. Last week’s final audition concert leaves no doubt about the most qualified choice — the candidate who best meets Eugene’s needs today. Here are my observations from all three audition concerts.

Dina Gilbert

Active in Quebec, Gilbert has been the assistant conductor at the Orchestre symphonique de Montréal and has also conducted a number of youth orchestras around the world. Compared with the other two candidates, her bio is particularly thin.

At her December 8 audition concert, Gilbert seemed quite nervous walking to the podium, which carried into the first piece: the overture to Mozart’s opera, The Magic Flute.  Perhaps these nerves prompted her too-fast tempo for the overture’s opening, a pace the orchestra had a hard time keeping up with.

This Mozart overture is widely known, and, as it happens, has a tricky part for conductors, a section that many conducting students struggle to master. Mozart wrote a threefold utterance of an Eb -flat chord at the opening on the work (in homage to the Masons,) each of these chords with a short “pick-up.” Under Gilbert’s baton, the initial series of threefold statements was a bit shaky, but passable. However, when the threefold statement with pick-ups returned midway through the work, one was botched quite badly. The mistake revealed a flaw in Gilbert’s conducting technique, a problem that dogged her throughout the night.

Dina Gilbert conducted the Eugene Symphony in December. Photo: Amanda Smith.

Because I’m especially interested in conducting technique – there are so many styles that work – I was sitting in the balcony as far left as allowed. From that vantage point I could see most of what the conductor was doing. Gilbert has a hitch in her beat, coming down and then bouncing forward, a confusing motion, and certainly the problem with that missed Mozart chord.

Best performance on this night came next – Korngold’s schmaltzy Violin Concerto, played by a wonderful violinist , Elena Urioste. While Gilbert rarely imparted phrasing to the orchestra, the violinist did, and the result was satisfying.

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