Profile keeps rolling with its trio of plays by christopher oscar peña, this one about the aftermath of a spasm of violence. Plus openings, last chances, and a billboard campaign.
Shaking the Tree takes on the bitter beauty of Lorca’s poetic tale. Plus: “California” returns, Milagro celebrates women warriors, Triangle heads for the Big Apple.
K.B. Dixon continues his series with five fresh photographic portraits of people who help define the shape of Portland’s culture.
Shaking the Tree searches for the baddest femme fatale of all time. Plus “Without Rule of Law,” audience behavior and more.
In Celine Song’s play about a tight-knit clan of half-siblings, hell is other people, and they seem to be all in the family.
Shaking the Tree’s new multimedia installation offers the electricity of in-person theater in a safe viewing experience.
Fresh voices, surprising ideas emerge at Fertile Ground – and the theater week stays busy elsewhere, too.
As rapid development tightens the real estate market in Portland’s core, arts groups try to play the game.
Shaking the Tree’s ravishing new version of Euripides’ ancient Greek tragedy ripples nervously down the centuries.
Portland Playhouse has emerged over the past decade as one of the city’s top theaters for a variety of reasons: energetic young leadership, an invitingly casual atmosphere, and early sponsorship that resulted in free beer. But you might think of it as
Shaking the Tree Theatre, under the artistic direction of the imaginative Samantha Van Der Merwe, incorporates visual art into each of its theatrical performances. With SALT, opening Tuesday for an all-too-brief six-day run, Shaking the Tree is flipping that concept on its
If you are a regular theatergoer you’ve probably seen Macbeth. Possibly multiple times. Possibly too many times. But a director with a vision can make a particular production stand out from all the others in your memory. All it takes is some
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