sara shoenbeck

MusicWatch Weekly: winter light

Portland State University performances highlight Oregon's music calendar

Welcome to the light edition of MusicWatch! Like everybody else, our New Years resolutions included slimming down both spending and girth. You could trim down your musical meanderings and expenses this week by confining them to the campus of Portland State University, which offers several rewarding shows, some offering free admission.

Some are part of the Portland Winter Light Festival happening around town and centered this year on the PSU campus Feb. 7-9, and including Classical Revolution PDX, Portland Opera singers, a geodesic dome, dance, vaudeville performers, and much more.

The shadows of PSU faculty musicians will be projected in the Winter Light Festival’s Ombra Musici performance

• PSU prof and violinist Tomas Cotik plays some of the most beloved Baroque hits: some of JS Bach’s Sonatas and Partitas for Violin Solo and the Winter concerto from Vivaldi’s Four Seasons. Thursday’s performance will be live streamed. Saturday’s performance is part of Cotik’s shadowy new project Ombra Musici, in which the colossal shadows of Cotik and other PSU faculty musicians will be projected on the walls of the PSU library as they play. He writes:

Ombra Musici is an example of something I like to call massive media: it’s a combination of architecture and media that together transform our perception of space…. The medium is video and sound, the moving image. These aspects add an element of change, of contingency, which serves to capture attention. Architecture that is normally consumed in a passive state of attention becomes a focal point…

Furthermore, the content of the projection mimics some of the earliest and simplest examples of the projected moving image, the shadowplay. Ombra Musici harkens back to the earliest beginnings of cinema and looks forward to a future of expressive architectural surfaces and a mass spatialization of cinema in urban environments.

Noon Thursday and 7 pm Saturday, Lincoln Hall, Portland State University

Lisa Ann Marsh’s music highlights Portland’s Winter Light Festival.

• Friday’s festival show, The Light of Music, features the music of one of Portland’s most broadly appealing composers, PSU prof Lisa Ann Marsh, plus lights, night sky images, illuminated dancing, and ice instruments. Ten guest performers and five guest artists will join Marsh on stage for a retrospective of her favorite compositions.
7:30 pm Friday, Lincoln Hall, Portland State University

BRAVO Youth Orchestras annual Benefit Concert at PSU’s Lincoln Hall, features a pair of Venezuelan born musicians, Oregon Symphony and FearNoMusic fiddler Inés Voglar and cuatro (four-string guitar) master Freddy Vilches, leading performances of Venezuelan music. One of the world’s greatest Irish fiddlers, Kevin Burke, joins fellow fiddler Betsy Branch in traditional Irish music, and Portland neo-soul songwriter Blossom unleashes steel drums from her native Trinidad and Tobago, accompanied by BRAVO students. The Oregon Supreme Court’s first African-American Justice, Adrienne Nelson, will speak.
4 pm Saturday, Lincoln Hall, Portland State University

• Opera-heads got all excited when soprano Audrey Luna sang the highest written note (a stratospheric A) on the Metropolitan Opera stage last year. Let’s hope that striking but gimmicky feat doesn’t define her career, because her performance in the American premiere production of Thomas Adès’ new opera The Exterminating Angel as well as in the British composer’s previous The Tempest also displayed impressive vocal versatility, compelling acting skills, and eagerness to take chances on new music rather than merely repeating the usual coloratura classic roles as so many opera stars do.

Audrey Luna teaches and sings at PSU.

Oregonians should also hope that Luna’s ascent (vocal and career) doesn’t overshadow the fact that before she sang at the world’s leading opera houses (the Met, Vienna State Opera, Royal Opera House, Lyric Opera of Chicago et al) and with major orchestras (Berlin Philharmonic, London Symphony, New York Philharmonic, Los Angeles Philharmonic) Audrey Luna sang her first opera role right here at Portland State University: Pamina in The Magic Flute. The Salem native got her bachelor’s degree here in 2001 before moving on to conservatory, apprenticeships at US opera companies, and on to world renown. She’s returning to her alma mater to present a master class and sing a recital that features late Romantic music by Richard Strauss, symbolist sounds by Debussy, and American composer Samuel Barber’s ravishing, nostalgic Knoxville: Summer of 1915, based on James Agee’s novel.
3 pm Sunday, Lincoln Recital Hall.

• Luna is also singing arias with Portland Concert Opera next Wednesday, Feb. 13 in Agnes Flanagan Chapel at Lewis & Clark College.

• Portland Piano International recitals often happen at PSU, too, but this time, 22-year-old Italian pianist Filippo Gorini plays Bartok, Beethoven and Chopin at Resound NW, 1532 SW Jefferson St. Portland Saturday, Hood River Columbia Center for the Arts, 215 Cascade Ave, Hood River Sunday, and Providence St. Vincent Hospital, 9205 SW Barnes Rd. Portland Monday. The two PDX performances are free.

Continues…

MusicWatch Weekly: reflections on divisions

Concerts feature new music inspired by today's American polarization

As we were saying last week, considering how unfairly under-represented they are on classical concert programs, a startling number of the 21st century’s finest composers in the classical tradition are women, who have managed to surmount centuries of barriers to musical gender equality. In Women Singing Women, Portland’s all-star choir Resonance Ensemble does a bit to redress the imbalance with an entire concert directed by a woman (Resonance Artistic Director Katherine FitzGibbon), performed by women (including the singers and pianist Kira Whiting), and featuring entirely works by women composers. The program features the world premiere of a major commission by rising young composer Melissa Dunphy that sets words from last summer’s excruciating Kavanaugh Supreme Court nomination hearings spoken by Prof. Anita Hill and Dr. Christine Blasey Ford. The concert also includes arrangement of Suzanne Vega’s hit “Blood Makes Noise” by Resonance’s Maria Karlin, and works by Carol Barnett (who’s written appealing works as diverse as a Bluegrass Mass to compositions influenced by Cypriot and Greek music), music by Portland choral conductor/composer Joan Szymko, Lori Laitman, Ysaye Barnwell, new original poetry by Portland’s S. Renee Mitchell, and more.
Sunday, Cerimon House, 5131 NE 23rd Ave. Portland.

Resonance Ensemble performs Sunday.

From his smart, funny Craigslistlieder a decade ago to his gorgeous historical evocations of Los Angeles (where he grew up) to orchestral works like emergency shelter intake form (performed last spring by the Oregon Symphony) and Gabriel’s Guide to the 48 States (performed at the 2016 Oregon Bach Festival), Gabriel Kahane has emerged as one of America’s foremost young contemporary classical music voices. After the election catastrophe of 2016, the Brooklyn singer-songwriter-pianist-guitarist embarked on a two-week train trip across the country, striving to understand our national polarization. Traveling nearly 9,000 miles sans cellphone and internet connection, he instead tried to connect personally with Americans an inhabitant of any hipsterville might never otherwise encounter — not through digital intermediaries, but through their stories. In his new album Book of Travelers, whose music he’ll perform solo with piano in this Chamber Music Northwest concert, he turned conversations with fellow travelers — truck drivers, postmasters, engineers, nurses — into an intimate album’s worth of understated songs for just his voice and piano — a musical portrait of a troubled nation on the brink of wrenching political upheaval. Kahane tells poignant stories through the eyes of the characters he observes with empathy and understanding.
Wednesday, The Old Church Concert Hall, 1422 S.W. 11th Ave. Portland.

Gabriel Kahane performs Wednesday at Portland’s Old Church. Photo: Josh Goleman.

Despite today’s polarization, several other concerts feature music that reflect artists’ countervailing tendencies toward bringing cultures together. One of the most popular ensembles brought to town by Friends of Chamber Music, the entertaining Dalí Quartet, composed of members from Venezuela, Puerto Rico, and the US, returns for a program of 20th-century and contemporary Latin American classical music. The program features a tango ballet by Argentina’s great nuevo tango composer Astor Piazzolla, a powerful quartet by his countryman Alberto Ginastera, another by Brazil’s Heitor Villa-Lobos, and other hidden gems you’re not likely to hear on any standard American classical chamber music program.
Thursday, The Old Church, 1422 SW 11th Ave. Portland

The Dali Quartet performs at The Old Church in Friends of Chamber Music’s Not So Classic Series. Photo: John Green.

• Portland State continues its celebration of the great 20th century composer Francis Poulenc in Poulenc and the Piano, with this free noon concert (live streamed here) featuring faculty members playing his spiffy 1932 Sextet for piano and winds and his setting of of the children’s tale The Story of Babar for piano and narrator.
Thursday, Lincoln Recital Hall, PSU.

Continues…