Sarah DeGrave

MusicWatch Weekly: female gaze

Concerts bringing a female perspective to macho myths and music, and Latin American sounds top this week's Oregon music

Women: bad, deceptive, must be tamed. Seeking knowledge: bad, dangerous to entrenched power. Blind obedience: good.

That’s how a certain sexist serial Twit might regard the Adam & Eve myth, which describes original sin, all right — by a misogynistic patriarchy against half the human race. And it does go a long way to explain why we’ve struggled for millennia in a culture that demeans both women and the pursuit of knowledge. A concert on Friday at southeast Portland’s TaborSpace resists Adam & Eve myth-ogeny via San Francisco composer Jake Heggie’s 1996 song cycle Eve Song , which retells the tale from Eve’s modern, feminist perspective. Heggie, best known for his opera Dead Man Walking, sets Philip Littell’s variously angry, funny, joyous texts to a half-hour of diverse music ranging from lullaby to operatic aria, ballad, and Kurt Weill parody.

Image from forthcoming “Eve Songs” film. Photo: Diana Powe.

EveSong Project’s show raises funds (you can help!) for an original, made-in-Oregon film version of Eve Song produced by Disability Arts and Culture Project, Inclusive Arts Vibe Dance Company and Divergent Opera, which strives to make opera more accessible through diverse casting and rethinking traditional performance practices. Classical singers Jena Viemeister and Vakare Petroliunaite sing in dialogue as Eve and Lilith, Adam’s first wife/demon. Pianists Kira Whiting and Rebecca Stager accompany them in Heggie’s songs as well as music by Eugene composer Susanna Payne-Passmore, and Prayers from the Ark, Vermont composer Gwyneth Walker’s charming 2011 mini-opera setting poet Carmen Bernos de Gasztold’s ten little requests from various animals (cat, bird, goldfish, et al) aboard Noah’s Ark.


The 3rd Annual SHOCK OPERA TEASER (2018) from Guignol Fest on Vimeo.

Speaking of gender-bending singing (which we will do much more of next week in this space), how about an opera based on the career of OG cock-rocker Alice Cooper? Shock Opera: An Alice Cooper Story happens this weekend at Portland’s Paris Theater.

And speaking of women rewriting stereotypical female roles, check out  the Ingenue’s Revenge, which ArtsWatch’s Marty Hughley describes as “a cabaret revue that puts forward a classic character type but asks the potent question: What happens when that sweet young thing starts to lose her innocence and reclaim her power? Answering through an array of classic and contemporary showtunes will be Sarah DeGrave, Caitlin Brooke and the ever-dynamic Cassi Q. Kohl.”

Still another female-centric original opera, Tango of the White Gardenia, premieres this weekend at Lincoln City Cultural Center. Read Gary Ferrington’s ArtsWatch preview of this Cascadia Concert Opera production.

Think “DJ” or “sound artist” and many will assume “dude.” TBA Festival’s SI performance (in partnership with that valuable Portland arts space) Friday night featuring sound artists The Creatrix ( from San Francisco), Isabella (Boston), and Decorum (PDX), proves otherwise, with S1 DJs adding to the vibe.

Hunter Noack performing outside. Photo: Joseph Ash.

This time of year, we Oregonians often choose outdoor landscapes over indoor soundscapes. But with Hunter Noack’s In a Landscape: Classical Music in the Wild, we don’t have to! You can hear him play classical and contemporary music on his Steinway, with wireless headphones to make it feel more intimate if you like — in a number of alluring alfresco locales around the state this week, including Smith Rock State Park Wednesday, Sunriver Resort Thursday, and Eugene’s Mount Pisgah Arboretum Tuesday. Read my ArtsWatch profile of Noack and his peripatetic pianistic project.

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Yes, Virginia, there IS a good holiday musical

Broadway Rose's holiday revue overcomes the odds of a dark season with a musical mix of merriment and good will

Dear Portland,

Your friends are wrong. They have been affected by presidential elections and a skeptical age. They do not believe a good Christmas musical can be seen. They think that most are simply stuffy decorated sets reviving Dickens from the dead. Yes, Portland, there is a good Christmas musical. It is at Broadway Rose Theatre, and it’s called A Very Merry PDX-Mas.

Broadway Rose is in its 25th year as one of Portland’s premier musical-theater venues, and it’s ending its season on a high note. (The 2017 season begins in late January with Company.) A tightly arranged musical jukebox of holiday classics and contemporary songs is presented in PDX-Mas by an expert song and dance team, backed onstage by a trio led by Jeffrey Childs.

Very merry, Portland style, at Broadway Rose. Photo: Craig Mitchelldyer

Very merry, Portland style, at Broadway Rose. Photo: Craig Mitchelldyer

The team of seven includes a Portland who’s-who of musical and acting talent. Colin Carver was nominated for a PAMTA for his work in Grease. Sarah DeGrave’s musical work has been seen on many Portland stages. Cassi Q. Kohl performed off-Broadway and has two Drammys under her belt. Isaac Lamb won critics over with his performance as the Stache in Peter and the Starcatcher at Portland Playhouse this year, and also holds a Drammy. Dru Rutledge has performed with the Portland Opera, Oregon Symphony, on a host of acting stages, and has a Drammy. Danielle Valentine is a musical theater teacher and has graced many a Portland stage. Benjamin Tissell is hot off the trails of his magnificent lead performance in Broadway Rose’s Fly by Night and is a local arts teacher and Renaissance man.

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