Scott Rudin

Letter from NY: Broadway report

What's been lighting the lights on the Great White Way? A Choir Boy, a Mockingbird, Sam Shepard, and a Prom.

By MISHA BERSON

NEW YORK – Somewhere between the dead of winter and the rebirth of spring, Broadway takes a breath. It’s before a stream of shows hoping to vie for Tony Awards take up residence near Times Square.  And it’s after a lot of productions, including really great stuff like last year’s Tony Award for best original musical, The Band’s Visit, prepare to depart.

Yet for a Broadway-bound visitor to New York there is still enough to attract your attendance, if you choose wisely.

During a recent East Coast journey I was able to put together a smorgasbord of shows that included a riveting contemporary drama,  an engrossing play revival, a play based on an American literary classic and – oh, right – a new musical.  (And it wasn’t Cher.)  I watched several screen stars in live action, revisited an old favorite script, and witnessed the flowering of a young African-American writer who is helping revitalize serious American drama on Broadway.

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Tarrell Alvin McCraney’s “Choir Boy.” Photo: Matthew Murphey

LET’S START WITH THAT LAST ONE: Choir Boy, by Tarrell Alvin McCraney. Though it debuted Off Broadway in 2013, this adrenalin- and music-fueled play set in a black all-male prep school made its Broadway debut only this year, after some revision.  If its author sounds familiar, maybe that’s because McCraney collected an Oscar for his screenplay for the valuable film Moonlight. He also wrote the touted new Netflix baseball drama High Flying Bird.

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