Scottish Ballet

Living in a world of upside down

ArtsWatch Weekly: The pandemic is the puzzle. Adaptability is the key. Unlocking the cultural world's path to the future is the challenge.

SUDDENLY EVERYTHING’S TOPSY TURVY, and it’s seeming more and more like a mistake to think that things are going to get back to “normal” even after the health threat has ended, whenever that might happen. In the cultural world, the economic effect of the coronavirus shutdown is going to be hard on everyone and catastrophic for some. And by “everyone” I mean not just arts groups themselves but also the artists and staffers who’ve made their livings working for them, and the funders who keep them going, and the audiences who may understandably be reluctant to flock back to theaters and concert halls and museums as if social distancing were just some crazy blip that’s done and gone. Some groups, even if they do everything “right,” aren’t going to survive.
 
Barry Johnson, ArtsWatch’s executive editor, has started writing a column he calls “Starting Over,” which is about exactly those issues. How do we start over? How do we reinvent? What do we return to, and what do we move beyond? In his most recent “Starting Over,” Masks and democracy, he talks about some of the political failures that have made things worse in the United States than they needed to be, and reports on his conversation with the veteran arts consultant George Thorn, who suggests that the sort of creative, step-by-step problem-solving artists engage in every day might be a model for the society as a whole. In an earlier column, Point to point, Johnson talked with Portland Center Stage at the Armory’s Cynthia Fuhrman about practical adaptability. 

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Friderike Heuer, “The Strikers,” montage, from her series “Fluchtgedanken,” 2020. In her visual essay “Fluchtgedanken: Thoughts of Escape,” Heuer writes about manipulating images of paintings by the mid-20th century painter George Tooker, and how her adaptation of his work is a response to such disturbing issues of the Covid-19 crisis as the return of eugenics to public discussion and practice: “Took us what, only 75 years to get around to it again? What are expendable lives? The old? The diseased? The incarcerated? The poor?”

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ADAPTABILITY IS GOING TO BE CRUCIAL, and in a lot of cases, also not sufficient. Because the situation will be different for everyone, which means that while there may be smart overall strategies, they’ll have to be adapted to specific situations. And the ground keeps shifting.

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