sexual politics in art

Eye to Eye

The artist/photographer Friderike Heuer poses for the painter Henk Pander. What transpires is a double portrait, a gift of being seen.

Photo essay by FRIDERIKE HEUER

It is an act of sheer defiance. It just is.

The plan to shed half of your clothes, allowing someone not your lover to peruse your scarred, dilapidated body, simply has no other explanation.

Defiance, then, of what? Rules of decorum that forbid old women from sitting naked for a painter? The public’s needs to keep substantive evidence of harsh disease forever out of sight, or else? Some urging of your timid soul that vanity and privacy should be protected? Demands of feminism not to yield to the male gaze, whatever that might be?

Artist and subject, subject and artist: the mutual gaze.

An educated guess: it is defying all of the above.

I like experiments; I always did. Not just as a psychologist researching memory, or as an artist translating my thoughts to visual image. Since early days I have perceived the world as something meant to be explored. That probing, experimental, sometimes even reckless interaction tells me who I am. The gifts of education, intellect, curiosity and extroversion made risking possible. The challenges of life in post-war Germany as well as lifelong bouts of illness made it a must.

Continues…