Sharon Eyal

White Bird Dance: Love, L-E-V-style

The Israeli dance company returns to Portland with a tense dance about Obsessive-Compulsive Disorder

By HEATHER WISNER

Obsessive-Compulsive Disorder—heartrendingly described in Neil Hilborn’s OCD: A Love Poem—provides the framework for Israeli dance company L-E-V’s hourlong piece OCD Love, which opened last night as part of the White Bird Uncaged series. The dance looks and sounds like Hilborn’s poem, which inspired co-artistic director Sharon Eyal, reads: a series of repeated phrases suggesting a longing for connection and normalcy, and the agony of watching both slowly elude your grasp, despite your best efforts.

L-E-V co-artistic directors Eyal and Gai Behar have built their choreography around movement tics: jittery legs, shuddery torsos, ritualistic gestures. There’s a tick-tick-ticking sound as the curtain rises on a lone dancer, her musculature accented by a stark contrast between light and shadow. (The piece is shrouded in what’s described as “water-based haze,” similar to a smoke-machine effect.) She moves in slow motion, contorting her limbs in ways that look impressive but probably aren’t comfortable. Eventually a second dancer her joins her, sort of: they dance near each other, but not with each other. These sorts of close-but-not-quite encounters recur within the various configurations of the company’s six dancers, who bring sharpness and clarity to choreography that could have gotten muddy quickly.

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