Shirish Korde

‘Indian Music Now:’ navigating dual identities

Third Angle New Music presents dance-enhanced music by contemporary Indian-American composers

When Sarah Tiedemann was growing up in Hillsboro in the 1980s, the city looked quite different than it does now. Its residents were mostly white, its identity mostly derived from its agricultural heritage. Now, Hillsboro is Oregon’s fourth largest city, many of its residents work in tech-related fields, and many are people of color from India and nearby nations.

“I’ve seen Washington County … evolve into a more diverse and inclusive area,” Tiedemann, artistic director of Third Angle New Music, wrote on the ensemble’s blog. So when she was planning the ensemble’s 2018-19 season, which involved “giving voice to different parts of Portland, to people who might not have been heard” in contemporary classical music, Tiedemann included a concert that reflects those evolving identities in music.

Third Angle commissioned new music from composer Nina Shekhar.

Many immigrants and their families feel tugged between where they came from and where they are, between tradition and reinvention or innovation. For their next concert, Indian Music Now, Tiedemann and other Third Angle musicians will play music by four American composers of Indian heritage, all inspired by notions of dual identities, and including original Indian-inspired dance choreographed by Portland’s Creative Laureate, Subashini Ganesan.

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