Silencio Blanco

Silencio Blanco understands that you can do a lot with a little. The Chilean theater group works with silent puppets, simple constructs of paper, chopsticks, and masking tape to tell deeply empathetic stories. Portland audiences will be able to see its work Pescador/Fisherman at Imago Theatre the first two weekends of February as part of Boom Arts’ “Festive Revolutions” season.

Fisherman at work in “Pescador.” Silencio Blanco photo

The group didn’t set out to do puppetry. Co-founders Dominga Gutiérrez and Santiago Tobar were students at the Theater School of the University of Chile and interested in questions of acting and expression. Puppets, they discovered, provided a good way to explore the questions.

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Boom Arts: the halftime report

In the fifth chapter of his season-long look at the world-performance company, TJ Acena takes the midseason temperature and looks ahead

Boom Arts is halfway through its 2018-2019 season, and so far it’s been a season of growth. Kamla Hurst became the risk-taking Portland performance presenter’s very first executive director. The company, which calls itself “a boutique presenter and producer of contemporary theatre and performance from around the world,” brought Teatr-Pralnia, a 10-person performance group from Ukraine, to Portland. And it brought back Penny Arcade, one of America’s most respected performance artists, for an encore show.

The Ukrainian performance troupe Teatr-Pralnia raised the roof. Photo: Friderike Heuer

So far, so good. “Pralnia delighted us with a fabulous show,” says producer Ruth Wikler. “Word of mouth traveled over the week they were in town and our audiences literally quadrupled between the first and second weekends.” She was also pleased with the community-engagement programming: a workshop with students of theater and of Russian language and literature at Salem’s Willamette University; a program at Central Library; and a visit to Art & Learning Studios, where the artists made connections with adults with developmental disabilities, including native Ukrainian speakers.

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Boom Arts’ Festive Revolution

The Portland presenter of distinctive performance from around the world embarks on a new season of theatrical celebration and social change

Boom Arts is looking to bring a festive revolution to Portland. “We’re coming together to celebrate and turn things upside down,” says curator and producer Ruth Wikler, describing her vision for the company’s seventh season. In a world of constant bad news she wants to find a way to engage our way to social change.

Shows at Boom Arts, a presenting company that searches the world for provocative and stimulating touring acts, often have short runs, one or two weekends at most. ArtsWatch will be following them this season from the inside – seeing shows, talking with the artists, getting perspectives from Wikler and others – to give readers a variety of insights on what they do and how they work. Performers who BoomArts likes to showcase tend to have singular profiles: they don’t always fall neatly into theater, or dance, or performance. This season’s opening act, Oct. 19-20 and 26-27 at the Paris Theatre, is the Ukrainian group Teatr-Pralnia (Laundry Theatre) with CCA Dakh and their show TseSho?/What’s That?.

Teatr-Pralnia: just your basic Ukrainian contemporary improvisational puppetry bass/melodica/violin/accordion performance troupe.

This is the group’s first time in the United States. Portland is one stop in the Kiev company’s national tour, which was made possible by Center Stage, a program of the U.S. Department of State’s Bureau of Educational and Cultural Affairs. Wikler travels a lot in her search for new acts to bring to Portland but it’s not just about finding something new, especially for international acts. Making connections with national presenters allows Boom Arts to host international groups that have secured their visas. “I have to find how to plug them into existing national partnerships. We’ve been talking to Center Stage for a few years now,” she says. “It was an opportunity we were excited to say yes to because we felt they fit our mission.”


BOOM ARTS: THE SEASON: 1


 

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