solo theater

Grownup stories; Mercury rising

Courtney Freed's tribute to Freddie Mercury and Rosalinde Block's "grownup" tales explore the possibilities of the solo show

By ANGELA ALLEN

Something poignant resonated from the one-woman musicals Don’t Stop Me Now and Drama of the Gifted Grownup that appeared recently in Portland.

The shows’ stars—Courtney Freed in Don’t Stop Me Now and Rosalinde Block of Drama of the Gifted Grownup — never took breaks during their breathless 90-minutes cabaret performances. They were so immersed and invested in material that they had created, and in Block’s case, lived through, that they risked others not finding these close-to-their-hearts shows as interesting as they did. And though touching, their pieces were far from Broadway productions (as were the $20 ticket prices).

But these two performers, if not megastars like Barbra Streisand or Carole King, were talented and utterly sincere, and they exuberantly conveyed those values to their small audiences.

Courtney Freed, cutting loose on Freddie Mercury songs.

 

Don’t Stop Me Now

Freed, the Portland creator and center-stage performer of Don’t Stop Me Now: The Freddie Mercury Experience that played April 4-8 at the 95-seat wraparound Coho Theater, loves the late and great Queen performer. Freddie Mercury tops her list of voice role models though she doesn’t quite have his three-plus-octave range. You couldn’t have stopped Freed’s admiration for the rocker during the show any more than you could have stopped the slick, sweet Mercury from aching about love a few decades ago.

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Lost (and found) in midair

Danna Schaeffer's "You in Midair," about life after the murder of her daughter, catches the essence of life, emotion, love, longing, and grief

It’s every parent’s worst nightmare: losing a child. It upsets the natural order of things, leaves an irreplaceable emptiness. And it is the premise of the wrenching but surprisingly joyous You in Midair, running at New Expressive Works for just one more week.

That the nightmare is not only a true story, but that it was written and is performed by the mother who suffered the loss, makes it both more poignant and almost unbearable. You likely know the story of Rebecca Schaeffer, the 21-year-old Oregon actress who’d found success as a regular on the television series My Sister Sam, and who was murdered by her stalker at her Los Angeles apartment in 1989. It was a heartbreaking death, even for an outsider.

Danna Schaeffer performing her play “You in Midair.” Photo: Owen Carey

What you likely don’t know is the view from inside the family’s grief. Twenty-eight years later, playwright Danna Schaeffer opens up in the most vulnerable fashion imaginable: by performing a solo show she wrote about the experience. It is as devastating as you might imagine, but it is also funny – Schaeffer shares some of the absurd moments that followed losing her daughter so publicly – and liberating for someone to share such real, raw grief.

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