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Oregon Composers Forum: Seeding new Oregon music

Fresh sounds flourish from University of Oregon new music program, guest artists, and student-led ensembles

by GARY FERRINGTON

As autumn’s leaves fall, fresh new music is already springing up at the University of Oregon School of Music and Dance’s Oregon Composers Forum (OCF), the state’s primary seedbed of new Oregon music.

“The Forum is at the core of the school’s composition program,” texts Robert Kyr, founder and director of OCF, and chair of the university’s composition department. “It offers our students the opportunity to compose and perform their own works and music by their colleagues, while also learning how to found and direct new music ensembles.”  Such experiences, he adds, “deeply connect audiences with an exceptional broad range of contemporary music, including multimedia collaborations.”

OCF premiers new music by young composers. Photo: G. Ferrington.

OCF premiers new music by young composers. Photo: G. Ferrington.

The forum promises a diverse menu of concert options and it all begins with a fall OCF concert at 7:30 pm (Pacific), Tuesday, November 10. This live-streamed event from the University of Oregon’s beautiful Beall Concert Hall, features an array of new music ranging from Li Tao’s Illusion of Fog (2013) for solo piano to large ensemble pieces such as Benjamin J. Penwell’s Kafkaesque (2015) for Flute, Clarinet, Horn, Trumpet, Percussion, Piano, Violin, Viola, Cello, and Bass. Other selections include Passacaglia by Emily Korzeniewski, Echoes from the Void by Aidan Ramsay, Prayer for Roethke by Stephen Anthony Rawson, Tempest by Michael Dekovich, Stilly Sleep by Ramsey Sadaka, 7F by Cara Haxo, June by Madeline Cannon, Spaces by Izabel Austin, and Cascade by Nathan Engelmann.

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