stephen sharrf

Willamette Master Chorus review: Triple treat

Helmuth Rilling leads singers and orchestra in richly rewarding performances of J.S. Bach cantatas

by BRUCE BROWNE

When we encounter Helmuth Rilling, we can always count on learning in triplicate: theology, pedagogy and, of course, the music of Johann Sebastian Bach. Last Saturday night, at Hudson Hall on the campus of Willamette University, the internationally famous conductor and pedagogue brought us three distinct gifts — and a bonus present.

Helmuth Rilling and the Willamette Master Chorus. Photo: Sue Hale.

Helmuth Rilling and the Willamette Master Chorus. Photo: Sue Hale.

Well known for four decades in Oregon as the founder/music director of the Oregon Bach Festival, Maestro Rilling retired from OBF in 2013, but continues to guest conduct internationally, and most recently in the U.S. where he started on the east coast, touched down in Minneapolis to lead a Brahms Requiem, and finally here in Salem, to grace us again with Bach. Since he will not be conducting at the Bach Festival this summer, for the first time since he founded it in 1970, this was the only opportunity to hear Rilling work his magic in Oregon this year.

There is a special aura that surrounds an event like this: a buzz through the audience at intermission; an ebullience of spirit before and after the concert. It was an event that brought together choral cognoscenti from Salem, Eugene, from Portland, high school, college and community choral directors and performers, all converging in Salem to appreciate a uniquely Oregon transplant, Helmuth Rilling. Both concerts (Saturday and Sunday) were sold out. We were richly rewarded.

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