Seattle Repertory Theatre Fat Ham
Subashini Ganesan

Remembering Ernie Casciato

ArtsWatch Weekly: In praise of the beloved actor and teacher, dead at 67. Plus: Healing art, stage & screen, more.

Stage moms storm the gates

ArtsWatch Weekly: Storm Large and 3 Leg Torso make a movie, Chamber Music NW goes live, the Joy of words.

Spaces: Artists make room for the arts

Our series on artist spaces, which began before the pandemic, continues as artists try to figure out where to make art as resources dry up and Covid-19 continues.

A Portland pandemic dance survey

Local dance companies and choreographers are adapting to the new normal with determination and creativity, though everyone’s anxious about the future.

Pandemic Ed: Dancing remotely and well

With studio dance classes on hold for the pandemic, dance teachers and their students have begun to adapt to the new reality: Zoom dance classes. It’s working.

Friday coronavirus arts news roundup

Relief efforts for artists affected by income loss from the coronavirus pandemic and the resulting crash of the economy continue. More is needed.

Dance preview: Everything and nothing

It’s Sunday night and I’m at New Expressive Works, watching a few minutes of tech rehearsal for the upcoming Listening to Silence, a dance performance co-created by NEW founder and executive director Subashini Ganesan and Yashaswini Raghuram, the assistant director of Odissi

Field of Vision

A conference introduces a national organization to Portland. Tackling of pressing issues in Oregon arts ensues.

Dance preview: The essence of love in Indian dance

Across genres of Indian art, rasas—the juice or essence that classifies the aesthetic of the work—play a key role in transporting the audience to a realm of wonder parallel to the one we live in. Though the ancient form of Indian dance,

In the Frame 4: Culture now

Text and Photographs by K.B. DIXON “The portrait,” said legendary photographer Arnold Newman, “is a form of biography. Its purpose is to inform now and to record for history.” It is hard to imagine a better, more succinct summation of the genre.

DanceWatch Weekly: The spaces we move through

Lately, I’ve become obsessed with castles: their architecture; their scale; their permanence; their connections to history; their construction; their inhabitants. Castles are lasting, tangible creations, unlike dance pieces, which are fleeting. But they share some commonalities. I recently had a conversation with

‘Indian Music Now:’ navigating dual identities

When Sarah Tiedemann was growing up in Hillsboro in the 1980s, the city looked quite different than it does now. Its residents were mostly white, its identity mostly derived from its agricultural heritage. Now, Hillsboro is Oregon’s fourth largest city, many of

DanceWatch 2019: can you feel the love?

Welcome back, dance lovers, to a brand-new year of dance in Oregon. DanceWatch 2019 opens with two dance-centric productions that promote the visibility of female artists and artists of color. These productions embrace global culture, mark the intersection of art forms, explore

Hand2Mouth Memento
Tilikum Chamber Orchestra Romantic
Kalakendra May 18
CMNW Council
Blueprint Arts Carmen Sandiego
Seattle Opera Barber of Seville
Stumptown Stages Legally Blonde
Corrib Hole in Ground
Kalakendra May 3
Portland Opera Puccini
Cascadia Composers May the Fourth
Portland Columbia Symphony Adelante
OCCA Monthly
NW Dance Project
Oregon Repertory Singers Finding Light
PPH Passing Strange
Maryhill Museum of Art
PSU College of the Arts
Bonnie Bronson Fellow Wendy Red Star
Pacific Maritime HC Prosperity
PAM 12 Month
High Desert Sasquatch
Oregon Cultural Trust
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