Portland arts funding: Open forum at PSU provides data, but not an arts plan
As greater Portland’s arts and cultural system continues a slow structural evolution, a gathering at PSU hears information but not yet the shape of a completed plan.
As greater Portland’s arts and cultural system continues a slow structural evolution, a gathering at PSU hears information but not yet the shape of a completed plan.
Shut out in the 2023 legislative session after a Senate walkout stalled action, Oregon arts advocates and legislators are pushing in ’24 for some major state funding.
The choreographer, arts advocate, and former Creative Laureate of Portland moves on to the state arts stage.
Looking back on a year of disruptions, passions, politics, cultural shifts, bright ideas, and fresh starts in Oregon arts.
Generations meet and play when the Keylock company’s young dancers take on the witty choreography of Oregon legend Bielemeier, 71.
ArtsWatch Weekly: In praise of the beloved actor and teacher, dead at 67. Plus: Healing art, stage & screen, more.
Portland’s former Creative Laureate Subashini Ganesan-Forbes leads a city drive to nurture art for healing.
Portland’s new creative laureates, Leila Haile and Joaquin Lopez, talk about the state of the arts.
ArtsWatch Weekly: Beating the heat, ‘Frida’ at last, Creative Laureate x 2, hip-hop dynamo & more.
ArtsWatch Weekly: Storm Large and 3 Leg Torso make a movie, Chamber Music NW goes live, the Joy of words.
Subashini Ganesan’s pandemic-extended tenure as Creative Laureate still has one final project.
ArtsWatch Weekly: Portland Oscar nod; Dawson Carr’s big day; dance dive; laureate speaks; big BRAVO.
Stage & Studio: Dmae Roberts and Portland’s arts advocate talk about Covid relief, EDI initiatives, what’s next.
Our series on artist spaces, which began before the pandemic, continues as artists try to figure out where to make art as resources dry up and Covid-19 continues.
Local dance companies and choreographers are adapting to the new normal with determination and creativity, though everyone’s anxious about the future.
With studio dance classes on hold for the pandemic, dance teachers and their students have begun to adapt to the new reality: Zoom dance classes. It’s working.
Relief efforts for artists affected by income loss from the coronavirus pandemic and the resulting crash of the economy continue. More is needed.
Oregon’s dance month marches in like a lion, a tango, ballet, butoh, funk, fish, bootleggers and more.
Space squeeze, RACC reshuffle, Fertile Ground fever, nudes & Federales: a busy week.
It’s Sunday night and I’m at New Expressive Works, watching a few minutes of tech rehearsal for the upcoming Listening to Silence, a dance performance co-created by NEW founder and executive director Subashini Ganesan and Yashaswini Raghuram, the assistant director of Odissi
As rapid development tightens the real estate market in Portland’s core, arts groups try to play the game.
A conference introduces a national organization to Portland. Tackling of pressing issues in Oregon arts ensues.
Across genres of Indian art, rasas—the juice or essence that classifies the aesthetic of the work—play a key role in transporting the audience to a realm of wonder parallel to the one we live in. Though the ancient form of Indian dance,
Text and Photographs by K.B. DIXON “The portrait,” said legendary photographer Arnold Newman, “is a form of biography. Its purpose is to inform now and to record for history.” It is hard to imagine a better, more succinct summation of the genre.
Lately, I’ve become obsessed with castles: their architecture; their scale; their permanence; their connections to history; their construction; their inhabitants. Castles are lasting, tangible creations, unlike dance pieces, which are fleeting. But they share some commonalities. I recently had a conversation with
When Sarah Tiedemann was growing up in Hillsboro in the 1980s, the city looked quite different than it does now. Its residents were mostly white, its identity mostly derived from its agricultural heritage. Now, Hillsboro is Oregon’s fourth largest city, many of
Welcome back, dance lovers, to a brand-new year of dance in Oregon. DanceWatch 2019 opens with two dance-centric productions that promote the visibility of female artists and artists of color. These productions embrace global culture, mark the intersection of art forms, explore
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