The Allegro Dance Company

DanceWatch Weekly: Nancy Davis and Portland Ballet

The artistic director of The Portland Ballet talks about the winding road that led to this weekend's concert

I’ve been trying to write DanceWatch for about five days now without much success, until now of course. I seem to function best under great pressure, kind of like how a diamond is made. Take Jamuna, apply an intense amount of heat, and pressure, and voilà DanceWatch is written! A kind of stressful and undesirable scenario to create under but sometimes unavoidable. You see, I am mostly a full-time, stay-at-home mom, but, also a dancer, choreographer, and dance writer, and sometimes everyone’s else’s needs take over and I can’t quite find the time to sit down and write.

This week’s disastrous attempt to write (I’m exaggerating a bit for theatrical effect) was partly due to post-performance fatigue (I performed with Rejoice! Diaspora Dance Theatre this past weekend, which Elizabeth Whelan reviewed for ArtsWatch), a traveling husband situation that turns me into a single parent for a few days, and a myriad of other crazy events that included an emergency trip to the vet, calls from my son’s principal, the cats, the stuff, the whatever. Right now, as I write this, my 55-pound boxer/lab puppy is standing on my chest panting in my face demanding to be scratched and walked. It’s a circus, and I love it. It’s because THIS is my life that I’m always curious as to how other dancer/teacher/choreographer parents “do it” and stay artistically focused.

I recently became friends with Portland Ballet’s artistic director Nancy Davis on Facebook, and suddenly I was seeing gorgeous photos and videos of Davis as a young dancer in my news feed. Then I saw a photo of her beautiful daughter Lauren Lane on a poster for St. Louis Ballet, and I realized that I didn’t know Nancy Davis at all, and I definitely didn’t know she had a daughter who had also grown up to become a professional dancer.

I only know Davis as I see her now, as the artistic director and founder of The Portland Ballet academy. But how did she get here, what influenced her artistically, and how did she manage to raise a child in the midst of it all, I wanted to know. So, in between her rehearsals for Portland Ballet’s upcoming show Current/Classic, which opens May 4-5 at Lincoln Hall, and my performances, we got a chance to speak on the phone.

The Portland Ballet studio dress rehearsal of Us by Josie Moseley. Photo courtesy of The Portland Ballet.

Davis, who is from California, began her ballet training with one of Los Angeles’s most flamboyant characters, Madame Etienne. Madame Etienne was born in Greece but raised in Paris. Kathryn Charisse was her given name, and she ran a studio called the Hollywood Dance Studio that catered to movie stars. She was the one time sister-in-law of dancer-actress Cyd Charisse, toured the vaudeville circuit with her parents and her ten siblings as a child, and always dressed in a flamboyant outfits. She frequently wore a tiara and full makeup, according to accounts on a blog called lastcappuccino.com.

Continues…

DanceWatch Weekly: Dance apocalypse

A vast number of dance concerts this weekend will keep you moving

It’s down the rabbit hole and into the land of the Beatles with Oregon Ballet Theatre’s Alice (in wonderland) and Mark Morris’s Pepperland (respectively), and oh, so muchly much more in between. Fifteen performances to be exact. Fifteen, completely different dance shows to choose from in Oregon from now until…next week.

Considering the breadth of dance works being presented this week I thought I would take a moment to offer up a few suggestions from an expert in watching dance, on how to watch dance.

In Through Our Critics’ Eyes, Expert tips on how to get the most out of music, movies, art, dance and theater published in The Washington Post, Pulitzer Prize-winning critic Sarah Kaufman lays out a sequence of steps/best practices to follow to better understand dance. In summary Kaufman says…

1. a. Warm up.

Do some metal stretching before heading out to a show. Kaufman recommends studying the dance company, performers, choreography, music, the era or historical figures, beforehand.

1. b. Coffee.

Drink lots of it. Stay awake.

2. Juggle.

Watch the dance as an audience member and let yourself get carried away but also watch it objectively, like an appraiser, “evaluating the individuality and uniqueness of the performance, the artistic quality, its ability to stir emotions, the significance and truthfulness of the whole enterprise.”

3. Scan your senses.

Because seeing dance is a sensory experience it’s helpful to tune in to your physical responses to the performance. Ask yourself questions like how is the music and the sound quality? How does it make me feel? What’s the relationship between the music and movement? Does it make me want to dance? Are the visual elements (sets, costumes, lighting) appealing? If something is unsettling does it serve an artistic purpose — or does it not?

4. Trust your instincts.

“Critics are constantly asking themselves, “Is this any good?” The answer begins in one’s gut.”

5. Repeat steps 1-4.

“The more dance you see, the sharper your eye.”

Enjoy!

Performances this week!

Dancers of Mark Morris Dance Group in Pepperland. Photo courtesy of White Bird.

Pepperland
Extremely limited ticket availability
Mark Morris Dance Group, Presented by White Bird
7:30 pm February 21
Arlene Schnitzer Concert Hall, 1037 SW Broadway
Co-commissioned by Portland dance presenter White Bird, and performing in Portland for one night only, the Mark Morris Dance Group will perform Pepperland (premiere May 2017, Liverpool Royal Court Theatre), an evening-length tribute to the Beatles’ groundbreaking 1967 album, Sgt. Pepper’s Lonely Hearts Club Band.

Joined by a 7-member chamber music ensemble, the 17-member modern dance company will perform an original score by composer Ethan Iverson interspersed with arrangements of Sgt. Pepper’s Lonely Hearts Club Band, With a Little Help From My Friends, A Day in the Life, When I’m Sixty-Four, Within You Without You, and Penny Lane.

Morris’s work, like his company of dancers, is diverse, extremely musical, mixes moods and dance styles, and treats gender roles as interchangeable.

Photo courtesy of Physical Education.

Futility of Preparedness
Physical Education; keyon gaskin, Allie Hankins, Takahiro Yamamoto, and Lu Yim
5 pm February 21 Opening Reception and Performance
Linfield College, James F. Miller Fine Arts Center, Linfield Gallery, 900 SE Baker St.,
McMinnville
Focusing on concepts surrounding the idea of self, “in its immediacy, in the current now, the currents of weather, in what is currently seismic,” Portland performance collective Physical Education “addresses the phenomenology of disaster planning,” and considers “how the language of necessity, survival, and the informed, create meaning in different contexts.” Through workshops and performances Physical Education “will work with different communities to consider how this language functions in relation to speculation, paranoia and the world of information, resources and materials.”

Eugene Ballet in Sympathique. Photo courtesy of Eugene Ballet.

Sympathique
Pink Martini and Eugene Ballet Company
7:30 pm February 21, 100 LaSells Stewart Center, Oregon State University, 875 SW 26th St., Corvallis
February 23, 2018 at 7:30 pm, The Elsinore Theatre, 170 High St. SE, Salem
Eugene Ballet Company directed by Toni Pimble presents a two part evening. The first, a ballet by San Francisco choreographer Val Caniparoli called “Tutto Eccetto il Lavandino” or “Everything But The Kitchen Sink;”a contemporary work set to the music of Vivaldi. The second, is a collection of ballets choreographed by Pimble, modern dance choreographer Sarah Ebert, and #instaballet creator Suzanne Haag in collaboration with Pink Martini. to world jazz, pop and classical music.

Pink Martini will not be accompanying Eugene Ballet on the tour.

Chapel Theatre in Milwaukie, Oregon.

Chapel Theatre Grand Opening
Corinn DeWaard, Illya Torres-Garner, and Jr Holland
February 21-24
Chapel Theatre, 4107 SE Harrison St., Milwaukie
Chapel Theatre in Milwaukie—owned, run, and managed by Corinn DeWaard (Artistic Director of TriptheDark Dance company), Illya Torres-Garner, and Jr Holland—is finally opening for arts business.This renovated two-story, 4,554 square foot, 1940s church at 4107 SE Harrison Street in Milwaukie, is now available to rent for plays, dance performances, and other community events.
Celebrations include a full week of activities showcasing the art, performance and classes that Chapel Theater offers. Check out Chapel Theatre’s website for the full schedule.

Photo courtesy of Tahni Holt.

A Body Full
Tahni Holt and Luke Wyland, hosted by Russo Lee Gallery
6:30 pm February 22
Russo Lee Gallery, 805 NW 21st Ave.
Post-performance conversation moderated by Meagan Atiyeh of the Oregon Arts Commission
A BODY FULL, is a performative response by Portland dance artist Tahni Holt and composer Luke Wyland to Elizabeth Malaska’s Heavenly Bodies show at the Russo Lee Gallery-a gallery that showcases work of artists from the Pacific Northwest region.

In Paul Maziar’s interview with Malaska for ArtsWatch she says, “The body that’s in this new series of work, one could call it a non-beautiful body. They’re beautiful to me, but not in the way that we’re taught: skinny, young. We’re taught to have expectations of the centralized female figure, so when this figure doesn’t fulfill those expectations, I want to force an all-new way of relating. A different rubric for understanding the valorization of that figure. Putting something into an image is a valorization of it, especially paintings in a gallery. That’s art with a capital A. It carries a lot of weight and I’m very cognizant of that. I have an agenda.”

Wayne Bund in Strong Female Protagonist . Photo courtesy of Risk/Reward and PNCA.

Strong Female Protagonist
Created and performed by Wayne Bund
Presented in association with Risk/Reward and PNCA
February 23-March 4
PNCA Mediatheque, 511 NW Broadway
Multidisciplinary artist, and first grade teacher Wayne Bund presents, Strong Female Protagonist, a queer solo performance piece that uses comedy, theater, music, dance and drag to illuminate the power of femininity and sass.

Part autobiography, part ‘80s nostalgia, part drag fantasy, Bund’s solo follows little Wayne on his quest to become a drag queen called Feyonce. “He struggles with self-doubt about where his inspiration comes from and is taken to an appropriation fantasy. He is judged by Judith Butler, his ego, and his mother, until he lets go of his dreams and finds a new lineage.”

Alembic Artist Catherine Egan, Suzanne Chi, and GRINDGROUP. Photo courtesy of Performance Works NW.

Alembic Resident Showcase
Performance Works NorthWest presents; Catherine Egan, Suzanne Chi, and GRINDGROUP
February 23-25
Performance Works NW, 4625 SE 67th Ave. Portland
Post-show talk with the artists facilitated by Tahni Holt after the Saturday show
After working in the Performance Works NW studio for the past year, the 2017 Alembic Resident Artists Catherine Egan, Suzanne Chi, and GRINDGROUP are ready to reveal their work. Chosen Alembic Residents are awarded 80-100 hours of studio time to be used within a 10-month period.

Egan’s civilized is an exploration of ice as a visual medium and the sound of language as an abstraction of communication. “civilized”was created in collaboration with movement artist Celine Bouly and instrumentalist Doug Theriault.

An Incidental Host/ the passenger may in fact be the pilot by long-time Portland dance artist Suzanne Chi, focuses the lens inward using the microscopic world as inspiration, investigating the motility of bacteria and protozoa while questioning the role these organisms have on the development of human personality.

(p→p) presented by Portland based contemporary multi-media art group GRINDGROUP is an exploration of what is possible for p. “If p is possible, then it is necessary that p is possible. Also, if p is necessary, then it is necessary that p is necessary. and if it ought to be that p, then it is permitted that p seems appropriate, but we should probably not include that p, because in doing so we are saying that if p is the case, p ought to be permitted.”

PDX Contemporary Ballet. Photo by Stephen Jennings.

Configure
PDX Contemporary Ballet, Artistic Director Briley Neugebauer
February 23-25
New Expressive Works, 810 SE Belmont
Inspired by the clay sculptural works of Michele Collier and the music of Italian composer and pianist Ludovico Einaudi, PDX Contemporary Ballets’ artistic director and choreographer Briley Neugebauer shapes her choreography like Collier’s clay, revealing the the body’s raw material, and proposing new perspectives on beauty.

What Neugebauer loves about Collier’s work, she said in the press release is “that you can still see her original material–the clay. Many of her figures appear as if they are emerging from the clay and trying to break free of the slab that is part of them. Others look as if they have embraced the fact that they are partially formed, waiting for what is to come.”

A-WOL Dance Collective. Photo courtesy of A-WOL Dance Collective.

Left of Center
A-WOL Dance Collective (Aerial Without Limits)
February 23-March 4
A-WOL Dance Center, 513 NE Schuyler St.
Celebrating their 15-year anniversary season in their spacious 5,000-square-foot warehouse home, A-WOL Dance Collective, a 13-member company that combines aerial arts and dance, will create an immersive experience in the round with a haunting soundscape and Victorian-era costumes weaving together “a fantastical tale suspended between reverie and reality…enveloped in a dream state free of the limitations of the waking world.”

JamBallah NW Friday night showcase at the Artists Repertory Theatre in Portland, Ore. (photo by Casey Campbell Photography)

Allegro Dance Company Winter Fundraiser
Hosted by Allegro PDX
7:30 pm February 24
Peninsula Odd Fellows Lodge, 4834 N Lombard St.
Join Allegro Dance Company in an all-ages benefit performance for the company, featuring two new group pieces by the Allegro Dance Company, and duets and solos by Ashley Lopez, Heather Powers, Morgan Fay, Talia, Laura Blake, Rachel Smith, Bevin Victoria, Elise, Emilie Lauren, and Anna Maniaci. The performance will also include Inclusion Fusion Arts formerly Happy Hips Adapted Movement & Dance, students of Ashley López and Emilie Lauren,

The evening will include raffles and such prizes as free dance classes, workshops (JamBallah NW), chocolate, wine, art pieces, studio time, dance accessories, vintage swag, and more! And of course all proceeds go to helping Allegro Dance Company survive another year.

The brainchild of internationally renowned belly dancer Ashley López, Allegro Dance Company is an experimental fusion dance collective that draws on the artistry of each company member as well as the dance styles of many cultural dances.

“Chitra: The Girl Prince”: dancing, adventure, and an ancient tale. Photo: David Kinder

Chitra: The Girl Prince
NW Children’s Theatre, Co-directed by Sarah Jane Hardy and Anita Menon
February 24-March 3
Mainstage, NW Children’s Theatre, 1819 NW Everett St.
In this retelling of a fourth century tale from the Mahabharata, co-directors Sarah Jane Hardy and Anita Menon along with a collaborative team of theater artists, musicians, and dancers from India and Portland’s Bengali-American community, tell the story of a warrior princess who struggles to stay true to herself while balancing her responsibility to her people and true love’s call.

Alice (in wonderland)
Choreography by Septime Webre, performed by Oregon Ballet Theatre
February 24-March 4
Keller Auditorium, 222 SW Clay St.
Follow Alice and a zany cast of characters down the rabbit hole into the unknown in Septime Webre’s 2012 retelling of Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass. This large scale production, which marries tradition with modernism with the help of ballet and acrobatics, boasts an original score from composer/violinist Matthew Pierce, to be played by the OBT orchestra, costumes by designer Liz Vandal, and sets by James Kronzer. The production includes a cast of 100 dancers, 50 of whom are children from The School of Oregon Ballet Theatre.

Dancer Sweta Ravisankar. Photo courtey of Sweta Ravisankar.

Shivarpanam
Performance by Sweta Ravisankar
5:30 pm February 25
Portland Shiridi Sai Baba Temple – Hindu Educational & Cultural Society of America, 2110 NW Aloclek Dr, Hillsboro
Sweta Ravisankar, a Bharatanatyam and Nattuvangam performer, teacher, and choreographer, from Mumbai, India will present a collection of dances based on Lord Shiva, the hindu god of destruction.
Ravisankar is pursuing her Ph.D. in Cell and Developmental Biology at OHSU, holds a Master’s Degree in Bharatanatyam and Biology, maintains dance schools (Sarada Kala Nilayam) in San Jose, California, and Hillsboro, Oregon, and travels the world performing.

For those who don’t know, Bharatanatyam is the name of a style of South Indian classical dance. Nattuvangam is the rhythmic instrument played in the background of Bharatanatyam performances and is made of two metal cymbals—one of iron and the other of brass.

Photo courtesy of Rejoice: Diaspora Dance Theater.

Rejoice! at AWMC Regional Finals
Rejoice: Diaspora Dance Theater, Artistic Director Oluyinka Akinjiola
6:30 pm February 26
Newmark Theatre, 1111 SW Broadway
Catch Rejoice! Diaspora Dance Theatre performing at the August Wilson Red Door Project Monologue competition.

The August Wilson Red Door Project is about changing the racial ecology of Portland through the arts.

Rejoice! Diaspora Dance Theater is a dance and music ensemble directed by Oluyinka Akinjiola that looks at tradition through a contemporary lens. Connecting the past to the present-from African roots to modern day Jazz and House to current political issues of police brutality through new choreography by Michael Galen, Jamie Minkus, and Oluyinka Akinjiola.

 

Kinky Boots photo courtesy of the internet.

Kinky Boots
Presented by Broadway in Eugene
February 27-March 1
Hult Center for the Performing Arts, Silva Hall, 1 Eugene Center, Eugene
Inspired by a true story, Kinky Boots follows Charlie Price, an aspiring young businessman who is forced to give up his dreams in order to save his late father’s shoe factory from the brink of bankruptcy. He finds unexpected inspiration in the form of Lola, an entertainer in need of some sturdy stilettos. As Charlie and Lola work together to turn the factory around, the pair find that they have more in common than they thought possible. Changing your perspective can change the world.

Upcoming Performances

March
March 1-3, Urban Bush Women, presented by White Bird
March 2-4, Zorro: The Ballet, Ballet Fantastique, Eugene
March 3-4, Voices: A Choreographers’ Showcase, Hosted by PDX Dance Collective
March 4, The Flames Of Paris, Bolshoi Ballet in Cinema Live from Moscow
March 8-10, Jessica Lang Dance, presented by White Bird
March 14, Compañia Jesús Carmona, presented by White Bird
March 15-17, HEDDA, NW Dance Project
March 22-24, To Have It All, choreography by Katie Scherman, presented by BodyVox

April
April 4, iLumiDance, Rainbow Dance Theatre, Corvallis
April 5, Earth Angel and other repertory works, Rainbow Dance Theatre, Corvallis
April 5-7, Stephen Petronio Company, presented by White Bird
April 7, Reaching Back to Our Roots: Annual Gala Fundraiser, Kúkátónón Children’s African Dance Troupe
April 8, Giselle, Bolshoi Ballet in Cinema Live from Moscow
April 9, Noontime Showcase: Jefferson Dancers, Presented by Portland’5
April 12-14, Contact Dance Film Festival, presented by BodyVox and Northwest Film Center
Apr 14-25, Peer Gynt with Orchestra Next, Eugene Ballet Company, Eugene
April 12-21, Man/Woman, choreography by Mikhail Fokine, Darrell Grand Moultrie, Nicolo Fonte, James Canfield, Jiří Kylián, performed by Oregon Ballet Theatre
April 19-28, Early, push/FOLD, choreographed and directed by Samuel Hobbs
April 20-21, In layers, choreography by Jana Kristi Zahler
April 20-29, X-Posed, Polaris Dance Theatre, Robert Guitron
April 24-25, Alvin Ailey American Dance Theater, presented by White Bird
April 24-25, The Wind and the Wild, BodyVox and Chamber Music Northwest

May
May 4-5, Current/Classic, The Portland Ballet
May 10-12, New work premiere, Rainbow Dance Theatre, Western Oregon University, Monmouth
May 10-19, Rain & Roses (world premiere), BodyVox
May 11-13, Compose, PDX Contemporary Ballet
May 11-13, Alice in Wonderland, Ballet Fantastique, Eugene
May 14, Noontime Showcase: OBT2, Presented by Portland’5
May 16, Ballet Hispȧnico, presented by White Bird
May 17-20, CRANE, The Holding Project, directed by Amy Leona Havin
May 23-June 3, Closer, original works by the dancers of Oregon Ballet Theatre

June
June 8-10, Up Close, The Portland Ballet
June 10, Coppelia, Bolshoi Ballet in Cinema Live from Moscow
June 14-16, World Premiere – Ihsan Rustem, MemoryHouse – Sarah Slipper, NW Dance Project
June 15-17, New Expressive Works Residency Performance
June 24, Salem World Beat, Rainbow Dance Theatre, Salem

 

Fertile Ground goes dancing

Portland's annual fringe festival has an expansive dance component, too

The Fertile Ground Festival of New Works and its dance-centric arm, Groovin’ Greenhouse (hosted by Polaris Dance Theatre), are right around the corner, January 19-29 to be exact. The 11-day festival that features new performance work in various stages of development, from the fully staged to workshops, in theater, comedy, dance and film, and everything else that doesn’t fit neatly inside those bins.

Fringe festivals, like Fertile Ground, can be found all over the world. The first one was the Edinburgh Festival Fringe, established in Scotland in 1947, as an alternative to the Edinburgh International Festival. The Fringe runs for 25 days and features a whopping 50,266 performances of 3,269 shows in 294 venues. (Portland choreographer Éowyn Emerald is a frequent performer at the Edinburgh Fringe.) Generally, fringe festivals show a range of work from amateurs to professionals. They are a non-curated, open forum for expression, and pose a low financial risk to artists and audience alike. What’s special about our Fertile Ground Festival, though, is that it shows only the work of Portland artists.

This past week, Arts Watchers Christa McIntyre, A.L. Adams and Bob Hicks attended the Fertile Ground’s meet-and-greet speed dating event, to learn as much about what this year’s Fertile Ground festival has to offer. According to Bob Hicks the speed dating event went something like this. “Theater people line up in front of a confusion of journalists from print, online, radio, and television outlets and work their way to the front, where they get five minutes to pitch their show and explain why that journalist really, really ought to see it and write very, very nicely about it. Then a whistle blows, and everyone moves on to the next encounter.” You can read their entire account of the evening here, as well as the terrifically descriptive list of the performances.

Here at DanceWatch I am just going to break down the dance offerings within the festival because, you know, I love dance and you probably do too.

The list below begins with independently produced Fertile Ground dance productions, followed by the Groovin’ Greenhouse schedule of performances with descriptions of each dance group or choreographer following. Groovin’ Greenhouse shows are shared by multiple performers in an evening.

Independent Fertile Grounds dance productions

Echo Theater Company in “Uncommon Sense.” Photo by Arnista Photography.

Uncommon Sense (workshop)
Featuring Echo Theatre Company, sister: grit collective, Tempos Contemporary Circus, and Sir Cupcake’s Queer Circus
Presented by Echo Theater Company
January 20-29
Echo Theatre, 1515 SE 37th Ave

Echo Theater Company’s creative director Aaron Wheeler-Kay, has brought together Echo Theatre Company, sister: grit collective, Tempos Contemporary Circus, and Sir Cupcake’s Queer Circus, to explore the multitudinous interpretations of the sensed world and find freedom within limitations, in an evening of politically driven, new works, combining circus arts, dance, narrative and physical theatre.

Featured performers with Echo Theater Company will be Portland dancers Yulia Arakelyan and Erik Ferguson, co-artistic directors of Wobbly Dance. You can catch a glimpse of them in rehearsal in Echo Theatre’s video trailer for “Uncommon Sense.”

“Last Dance”. Photo by Holly Wilmeth.

Last Dance
Written by Sky Yeager and directed by Jonathan Walters
January 19-29
The Headwater Theatre, 55 NE Farragut St. #4

Butoh artist Kat Macmillan, and actor Jaime Lee Christina, tell the story of an angel’s transformation into human form in this new play by Sky Yeager directed by Jonathan Walters. Through the modes of theatre, film, music and dance, the play touches on concepts of agency, spiritual purpose, life after life, and ponders the preciousness of life. Out of darkness, hopelessness, and despair, comes new life, hope and transformation. You can see a video preview of the work here.

“Into the night” by Allegro Dance Company. Photo by Casey Campbell Photography and Paul Pour Photography.

Into the Night: An Exploration of Life, Love & Loss
Performed by The Allegro Dance Company
Directed by Ashley López
January 28-29
BodyVox Dance Center, 1201 NW 17th Ave

Connecting aspects of ancient Middle Eastern culture to modern day ones, this collaborative, contemporary belly dance company of 15, directed by Tribal Fusion belly dance star Ashley Lopez, will examine the mystery, pain, and beauty inherent in the human condition through a visually rich, multifaceted, storytelling experience.

Groovin’ Greenhouse performances

Performance Dates and times

Portland Bellydance Guild, Polaris Dance Theatre, Polaris Junior Company, Neo Youth Company
7:30 pm January 20
Polaris Dance Theatre, 1826 NW 18th Ave

Les Watanabe, Polaris Dance Theatre, Polaris Junior Company, Neo Youth Company
2:00 pm January 21
Polaris Dance Theatre, 1826 NW 18th Ave

Les Watanabe, NW Fusion Dance Company, Polaris Dance Theatre
7:30 pm January 21
Polaris Dance Theatre, 1826 NW 18th Ave

Portland Bellydance Guild, Polaris Dance Theatre
2:00 pm January 22
Polaris Dance Theatre, 1826 NW 18th Ave

Vitality Dance Collective, Polaris Dance Theatre
7:30 pm January 27
Polaris Dance Theatre, 1826 NW 18th Ave

Polaris Dance Theatre, Polaris Junior Company, Neo Youth Company
2:00 pm January 28
Polaris Dance Theatre, 1826 NW 18th Ave

A-WOL Dance Collective and Polaris Dance Theatre
7:30 pm January 28
Polaris Dance Theatre, 1826 NW 18th Ave

Breakdown of performing groups and premiering work

“Attention Everybody!” by A-WOL Dance Collective. Photo courtesy of A-WOL Dance Collective.

Attention Everybody! (excerpts), A-WOL Dance Collective
Through fierce, edgy, raw athleticism in the air and on the ground, A-Wol Dance Collective, an aerial/dance company, will knit together humanities commonalities, revealing our passion and energy and drive to serve the greater good.

Untitled work in progress by M’Liss Quinnly, Neo Youth Company
In its first season, Polaris Dance Theatre’s youth company for its youngest committed dancers will perform a new work by former Polaris dancer and Director, M’Liss Quinnly.

Untitled work in progress, NW Fusion Dance Company
Directed by Brad Hampton, this pre-professional dance company provides training and performance experience to help advanced dancers transition to professional careers.

Diverse-Divide (an excerpt) by Robert Guitron, Overcoming by Gerard Regot, Gravitation by Kiera Brinkley, performed by Polaris Dance Theatre
Guitron’s Diverse-Divide, speaks to diversity in the natural world and in politics. The movement explores the juxtapositions of the similar and the dissimilar. Guitron is the artistic-director of Polaris Dance Theatre.

Gravitation by past Polaris Dance Theatre company member Kiera Brinkley addresses her choice to change careers and the state of exhaustion. From 2011-2016 Brinkley was a Polaris Dance Company member and is a quadruple amputee. You can learn more about Brinkley’s story in the documentary Soar that came out in 2014 directed by Susan Hess Logeais.

Overcoming by Regot, a Polaris Dance Company member originally from Spain, explores ideas of disruption and loss. It attempts to capture the process of processing a loss and the difficulties in reaching out for help and moving forward.

Untitled work in progress by M’Liss Quinnly, Polaris Junior Company
Polaris Dance Theatre’s pre-professional youth company for its oldest committed student dancers, will perform a new work by former Polaris dancer and Director, M’Liss Quinnly.

Portland Bellydance Guild
Representing belly dancing styles from Folkloric/Traditional, Cabaret/Oriental, Tribal Improv, to Theatrical/Fusion, The Portland Bellydance Guild, a membership organization with a mission to increase public awareness and appreciation for dance and music, rooted in, or inspired by, the Middle-Eastern diaspora, will feature solo performances from Claudia and Jewels, a modern interpretation of women’s folk dance from the Arabian Gulf region using movement vocabulary informed by the seafaring traditions of the area by the newly formed troupe Amwaj, and an improvisational duet by Zephyr Bellydance that is created in the moment in response to the music, the dancers on stage and the energy from the audience.

Vitality Dance Collective. Photo by Will Mahoney Watson

Surrounding, Vitality Dance Collective
Vitality Dance Collective, a vision of Kristina York, was created for adults dancers who dance, but don’t have the time to dedicate themselves full time to the art. The company acts as a collective, supporting the choreographic vision of all its members, and enjoys being undefinable. They are about innovation, authenticity and fun.

Their new work Surroundings, is an exploration of life’s journey: where we’ve been, where we are headed, and what remains out of reach, and is only dreamable.

Love Songs, Les Watanabe
Inspired by the music of Cuban singer, songwriter and pianist Bola de Nieve, Love Songs, choreographed by Les Watanabe for four dancers ( Laura Stilwell, Felice Moskowitz and Terry Brock and Emma Mochnick), endeavors to capture love and its myriad of meanings and forms.

Leslie Watanabe is an Assistant Professor of Theatre and Dance at Western Oregon University and performed for Donald McKayle’s Inner City Repertory Company, Lar Lubovitch Dance Company, Joyce Trisler’s Danscompany, Alvin Ailey II, Burch Mann Folk Ballet, Sachiyo Ito Japanese Dance Company, L.A. Jazz, and Peter Gross Dance Company to name a few.

Other performances in Portland this week and next

January 18-22, Sensation/Disorientation, Tahni Holt Dance, Presented by White Bird
January 19-21, Urban Meadow, BodyVox Dance
January 20-22, Rent, Presented by U.S. Bank Broadway in Portland
January 20-29, Ignite, Oluyinka Akinjiola and Subashini Ganesan
January 24-25, BalletBoyz, Presented by White Bird