third coast percussion

Musical Fire in the Rogue Valley

Southern Oregon music festival features three weeks of classical music new and old

by ALICE HARDESTY

The Rogue Valley is home to the Britt Music and Arts Festival, which takes place in July and August every summer. The Britt Festival Orchestra’s music director, Teddy Abrams, is hugely popular among music lovers here and in his home city of Louisville, where he directs the Louisville Orchestra. That affection is reciprocated, he assures us. “I immediately fell in love with Jacksonville, with the region, and with the orchestra from the first time I came here to conduct. That was seven years ago, the year before I started my first season as music director. I’ve been associated now with this festival for a good solid percentage of my life if you think about it.” Fortunately for Southern Oregon, Abrams has renewed his contract for four more years.

Young Teddy

While some of us might say that seven years is only an eye-blink, when you’re just 32 that’s a good percentage of your life. Abrams started his musical career early. He was improvising on the piano at age three, beginning lessons at five, and got interested in conducting after attending a San Francisco Symphony concert at age nine. He began studying conducting and musicianship with Michael Tilson Thomas at the age of twelve. At sixteen he started a bachelor of arts program at the San Francisco Conservatory for Music and went on to the Curtis Institute of Music and later to the Aspen Music Festival and School. At both of the latter institutions he was the youngest conducting student ever accepted, and he is currently the youngest conductor of a major orchestra in the U.S. By now he has conducted orchestras around the world, and he also performs frequently as a pianist and clarinetist. And, in his spare time, he composes!

Mission and challenges

I’m sure Teddy Abrams has been labeled “wunderkind” sometime along the way. But unlike many prodigies, his flame continues to burn brightly, and his creative energies are unstoppable, proof of which lies in the successful rejuvenation of the Louisville Orchestra and in the number and quality of the programs he has created for the Britt Festival Orchestra.

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MusicWatch Weekly: new sounds from Oregon

This week’s Oregon music schedule boasts numerous new works by today’s composers from the Northwest, Midwest and beyond, mixed in with classics from across the ages and oceans

Big Horn Brass, a baker’s dozen of brass players and two percussionists, feature brassy new music by Cascadia Composers Greg Steinke, Jan Mittelstaedt, John Billota, Greg Bartholomew, and fellow Northwest composer Anthony DiLorenzo at their Saturday night concert at Beaverton’s St. Matthew Lutheran Church. Some other guys named Debussy, Bach and Puccini will provide filler.

New Oregon music by Eugene composer Paul Safar is also on the program when Eugene’s excellent Delgani String Quartet goes all homicidal Friday at Portland’s and Saturday at Springfield’s Wildish Theater. The program features music inspired by murder, with theatrical readings from literary works that inspired them interpolated by actor Rickie Birran of Man of Words Theatre Company. Janacek and Shostakovich will be represented too. Read Gary Ferrington’s ArtsWatch preview.

Speaking of new music by Oregon composers, read Gary’s ArtsWatch preview of Oregon composer Ethan Gans-Morse’s new composition commissioned by Rogue Valley Symphony, which the orchestra performs this weekend in Medford and Grants Pass. Beethoven is the closing act.

Estelí Gomez sings new music by University of Oregon composers at  Eugene’s Beall Concert Hall. Photo: Gary Ferrington.

There’s even newer Oregon music for voice Sunday at the Oregon Composers Forum’s Sunday concert at the UO’s Beall Concert Hall. The superb soprano Esteli Gomez, one of the singers in Grammy winning Roomful of Teeth ensemble, returns to sing new music by UO composers.

Joe Kye performs at Portland State Friday.

That same night, Portland based, Korea-born songwriter-composer and looping violinist Joe Kye plays his engaging, often autobiographical songs at Portland State’s Lincoln Recital Hall.

Shades of Sufjan Stevens and his albums inspired by American states! Does a symphony called “Portland” and named after Oregon’s largest city qualify as Oregon music — if it wasn’t written by an Oregonian? Decide for yourself at the University of Portland’s free concert featuring Erich Stem’s orchestral work Tuesday night at Buckley Auditorium. His website bio says nothing about where Stem resides or was born, but Indiana seems a likely suspect. The piece is part of Stem’s project called America By: A Symphonic Tour, which includes a collection of commissioned works from across the country, “each work reflecting the unique qualities and history of a specific location.”

New American Sounds

One of the most frequently performed and commissioned composers of choral music, Minnesota’s Jake Runestad, seem poised to follow Morten Lauridsen and Eric Whitacre as a choral music star, and he’s also written several operas and other works. On Saturday night at Lewis & Clark College’s Agnes Flanagan Chapel, Choral Arts Ensemble and Linn-Benton Community College Chamber Choir team up to present the Music of Jake Runestad, the first major opportunity for Portland to get a healthy sampling of his heartfelt songs and broad, audience-friendly musical range.

Bells toll in Chicago composer Augusta Read Thomas’s new, half-hour orchestral composition, Sonorous Earth (an evolution of her earlier Resounding Earth), which Eugene Symphony performs Thursday at the Hult Center to complete her artistic residency there. Each of its four-movements also uses techniques associated with the major composers who made percussion the defining sound of 20th century classical music: Stravinsky, Messiaen, Varese, Berio, Cage, Ligeti, Partch and Oregon’s own Lou Harrison.

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