tony arnold

Fear No Music & Third Angle reviews: discoveries

Portland new music ensembles open Oregon ears to music from beyond the usual sources

I love going to a concert with exactly zero familiar composers. In Oregon classical music programs, the standard is still usually one new composer per concert, sandwiched between the dead white guys. Even in Portland, it’s relatively rare to hear a concert with music by composers who are all new to me. In the last few weeks, veteran Portland new music ensembles Fear No Music and Third Angle delivered two such concerts that led me to new discoveries.

Fear No Music played recent music by Middle Eastern and emigrant-diaspora composers at Portland’s Old Church Concert Hall. Photo: John Rudoff.

FNM’s October 9 concert at Portland’s Old Church, The Fertile Crescent, featured music by six composers rooted in the Middle East. Although they were new to me, they are all accomplished international composers. Gity Razaz studied at Juilliard with Corigliano, Beaser, and Adler; Kinan Azmeh is a member of Yo-Yo Ma’s Silk Road Ensemble; Reza Vali, Kareem Roustom, and Franghiz Ali-Zadeh have all composed for Kronos Quartet (I’m sure they’ll get around to Bahaa El-Ansary eventually). Although the music performed at the concert didn’t always satisfy me, I liked most of it, and the pieces that left me cold still led me to discover other enjoyable music by the same composers.

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MusicWatch Weekly: autumn bounty

This week's Oregon music highlights

In one of the peak weeks in the fall season of Oregon music, terling sopranos sing old and new songs, and other highlights include contemporary electronica, jazz, choral music, and sounds from Argentina, Mali, Japan, Europe, and beyond — including Oregon composers. Please add your recommendations in the comments section below.

BallakŽe Sissoko and Vincent Segal perform Tuesday at Portland’s Old Church concert hall. Photo: Claude Gassian.

Julianne Baird and Marcia Hadjimarkos
The superb early music soprano and the acclaimed Portland-born pianist, long based in Europe, perform music from Jane Austen’s world. The immortal writer was also a musician who practiced pop tunes of her time on fortepiano (which Hadjimarkos will, appropriately, play here) daily before breakfast, and filled her room with sheet music and her books and letters with references to public and private music events. Along with music by Haydn, Handel, Gluck, and more, including female songwriters, the show features songs about country life, drinking, and love, plus Turkish and Moorish motifs, female character pieces, and songs about naval victories and the French Revolution. A pair of narrators interpolate readings from Pride and Prejudice, Persuasion, Emma, Sense and Sensibility, and more.
Wednesday, Hudson Hall, Willamette University, Salem.

Kaitlyn Aurelia Smith performs Thursday in Portland.

Kaitlyn Aurelia Smith
The Orcas Island native, now based in LA, has moved from the contemporary classical niche to broader acclaim and audiences in electronic music, including opening for Animal Collective and collaborating Suzanne Ciani. The synth-savvy sound sculptor is releasing three albums this year to go with five earlier releases, numerous film scores, and more.
Thursday, Doug Fir Lounge. Portland.

Eugene Symphony
When the rising young pianist Conrad Tao appeared at the University of Oregon’s Beall Hall in 2011, he was a 17-year-old prodigy who could seemingly almost play masterpieces with one hand tied behind his back. Having grown both a beard and a reputation as a solid performer and composer, he’ll almost get the chance in Maurice Ravel’s dramatic 1931 piano concerto written for the great Austrian virtuoso Paul Wittgenstein, who’d lost his right arm to a Russian bullet in World War I. He’ll also solo in Liszt’s wild, colorful 1838 Dance of Death (Totentanz), and the orchestra will play a Mozart symphony about which its composer wrote, “I hope that even these idiots will find something in it to like.” He was talking about Parisians, not Oregonians, who’ll find plenty to enjoy in Mozart’s so-nicknamed Paris Symphony.
Thursday, Hult Center, Eugene.

Marquis Hill’s Blacktet plays two shows in Portland.

Marquis Hill Blacktet
The 2014 Thelonious Monk competition winner earned further notice with his gig in Joe Lovano’s band, and the sweet toned trumpeter has become a fine bandleader himself with this group that integrates bop, hip hop and R&B. Two shows.
Thursday, Fremont Theater, Portland.

Third Angle New Music & Tony Arnold
The Portland new music string quartet and New York new music soprano team up in music by the fine California composer Gabriela Lena Frank, colorful Australian composer Brett Dean, Greek-French composer Georges Aperghis, and midcentury Italian modernist Luciano Berio. Read Gary Ferrington’s ArtsWatch preview of the same team’s Creative Academy of Music concert Saturday.
Thursday and Friday, Studio 2 @ N.E.W. Portland.

Portland Jazz Composers Ensemble
The plucky organization dedicated to cultivating 21st century music by Portland composers and improvisers celebrates its tenth anniversary with a a TED-style talk from Executive Director Douglas Detrick, silent auction with some really enticing offers, and three pieces of music that tell the PJCE story—by PJCE founding Executive Director Andrew Oliver, former Grasshoppers (the young composers mentored by established Portland jazz musicians via PJCE’s admirable program) mentee Andres Moreno, and the world premiere of a new piece by one of Portland’s busiest and most inventive musicians, drummer/composer/improviser Barra Brown.
Friday, Fremont Theater, Portland.

Sound of Late
The exciting Portland/Seattle ensemble gives the West Coast premieres of music by youngish British composer Anna Clyne (former composer in residence with the Chicago Symphony and other orchestras) and Sarah Kirkland Snider, plus works by by Japanese composer Somei Satoh, Italian modernist Giacinto Scelsi, and the world premiere of a new piece by young Seattle composer Noel Kennon. The show is enhanced by video art by Seattle artist Stefan Gonzales.
Saturday, N.E.W. Expressive Works, Portland.

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