Toro Bravo

Dance is a global affair this spring, a series of international alliances and cultural collaborations that we can enjoy both in person and from afar.

Merce Cunningham centennial celebrations are in full swing all over the world and will continue throughout the summer. (Cunningham’s actual birthday, April 16, saw dancers in London, L.A., and New York City performing his work in a live stream of Night of 100 Solos). The Bolshoi, meanwhile, continues its live streaming series with that most Russian of ballets, Petrushka, showing this month in local theaters with a Cuban partner, Alfonso Alonzo’s Carmen Suite (see below). Not to be outdone, Eugene’s Ballet Fantastique is offering a live broadcast of its world-premiere work Cleopatra (see below). And BodyVox returns with the Contact Dance Film Festival, featuring shorts and feature-length dance movies created by choreographers from all over the world (see below).

On local stages, you’ll find a full complement of dance styles and traditions, sometimes intersecting in unexpected ways. To wit: our first entry.

International and cultural dance styles

Dormeshia Sumbrey-Edwards. Photo by Eduardo Patino

Tap dancer Dormeshia Sumbry-Edwards finds commonalities with kathak dancer Seema Mehta at Interwoven. Photo by Eduardo Patino.

Interwoven: Kathak/Tap, and Sitar
Featuring Seema Mehta, Dormeshia Sumbry-Edwards, Josh Feinberg, and Nilan Chaudhuri
May 5
Old Church, 1422 SS 11th St.

In April, White Bird brought us Savion Glover, one of tap’s brightest lights. This month we’re treated to another: the Bessie Award-winning hoofer Dormeshia Sumbry-Edwards. Like Glover, she’s a veteran of film (Tap, Bamboozled) and Broadway (Black and Blue, Bring in Da’Noise, Bring in Da’ Funk), and her appearance is one of the better kept secrets on the Portland performance calendar.

Continues…

BodyVox dives for pearls

It's a high-risk gamble: Can a group of non-choreographers create a compelling evening of dance? BodyVox decides to find out.

Creativity is a mysterious beast. We try to lasso it and stick it in separate corrals: Writers here. Painters here. Composers here. Actors here. Dancers here. Git along, little dogies, but stay in place. Except creativity can also be a stubborn beast, with a will of its own, and sometimes it just doesn’t cotton to corrals.

That’s the underlying texture of the Pearl Dive Project, BodyVox’s series of short pieces choreographed by people who aren’t choreographers or even dancers, but who’ve distinguished themselves in other creative fields. How might their experiences as novelist, chef, painter, art director, photographer, or filmmaker translate when working with skilled moving bodies in a rehearsal hall and on a stage? What does creativity have in common across disciplines, and how is it specific to a single form of expression?

Brent Luebbert, not quite dead in Sherrie Wolf’s “Elegy.” Photo by Blaine Truitt Covert.

The idea’s novel, and risky, and also, in a way, simply a reflection of reality. Creativity does spill over. Victor Hugo and August Strindberg were great writers, and also visual artists of note. Comic actor Jim Carrey paints, provocatively. Albert Einstein played classical violin, by most accounts very well. Even politicians get into the act. Winston Churchill was an amateur painter. Harry Truman played piano. Bill Clinton plays the saxophone. George W. Bush paints.

Continues…