Twilight Los Angeles 1992

DramaWatch Weekly: Pop-up City

It's a week for short runs, from Chekhov to Twilight in L.A. – plus full-run shows on Patsy Cline, the Irish Troubles, and a sex crime coverup

Pop-up restaurants. Pop-up bars. Pop-up nightclubs, galleries, boutiques, publishing houses, concerts. We’re living in a pop-up world, so why not pop-up theater?

The traditional method of producing is to start a theater company, announce a season, and run a half-dozen shows for several weeks at a time. That still dominates, especially in the nonprofit theater world.

But more and more, quick-hit shows are spicing up the scene. You might not see reviews of them very often, because they’re in and out, here and gone. But a growing number of  producers and performers are taking advantage of short-run opportunities, and it takes a little scrambling to keep up.

What is the Fertile Ground Festival but a massive series of pop-ups? What about a company like Boom Arts, which exists to bring in a steady stream of political or experimental shows from around the world for very brief runs? What about the several play-reading series in town? And it’s not just small lean groups popping up and down. The two biggest theater companies in town, Portland Center Stage at The Armory and Artists Repertory Theatre, are playing the short-run, special-event game, too.

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DramaWatch: First Nations first

The week onstage: A trio of shows by Native American playwrights; some Freddie Mercury; "La Belle" returns. Plus, new seasons news.

With a rising anti-immigration fever sweeping the United States and President Trump’s threat on Tuesday to deploy military guards along the Mexican border until his exclusionary wall can be built, it is well and truly time for this: A trifecta of plays by Native American writers highlights Oregon’s theater week. Once again, now: Who’s interloping on whom?

“Manahatta”: Se-ket-tu-may-qua (Steven Flores) and Mother (Sheila Tousey) think they are signing an agreement for the Lenape to trade with the Dutch indefinitely. Jakob (Danforth Comins, left) and Peter Minuit (Jeffrey King) have other intentions. Photo: Jenny Graham / Oregon Shakespeare Festival

The world-premiere production of Manahatta, by Cherokee writer and attorney Mary Kathryn Nagle, is off and running at the Oregon Shakespeare Festival in Ashland. A tale of then and now, it’s the story of Jane Snake, a securities trader who lands on Wall Street in 2008, on the island that was home to her ancestors until they were forced out in the 1600s, and the struggles of her contemporary family in Oklahoma.

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