The choral group’s CD release concert featured music by Melissa Dunphy, Renée Favand-See, Stacey Philipps, Mari Esabel Valverde, Vin Shambry, Dominick DiOrio, and Jake Runestad.
A transcription of Dvořák’s mass, a setting of Anne Frank’s diary, a tribute to William Byrd, a history of Rachmaninoff, a Resonance CD release, and a bit of rediscovered Brumel.
Oregon choirs present light shows, pops concerts, pianistic Byzantine chant, music by women and by Sir Arthur Sullivan, and an evening of “frostivities.”
Imago’s “Julia’s Place” starts with Ionesco’s “Rhinoceros” and then stampedes off to an Italian restaurant. Plus openings, closings, and a little improv “Weekend at Bernie’s.”
The dark and twisted Yukio Mishima could be funny, too – and in his kabuki play “Sardine seller,” is. Plus a fresh look at the AIDS era’s “Rent,” the OUTwright Festival and more.
The story of a long-lost Tony Award and how, with a little Oregon help, it finally got replaced. Plus big grants, awards, leadership shifts, and some “Slow Looking” at art.
Looking back with Katherine FitzGibbon on Resonance Ensemble’s year of provocative choral music
Local choral ensemble returns to Cerimon house, with continued commitment to performance with purpose
When the pandemic struck it seemed music news would dry up. But musicians found new ways to connect.
“Othello’s rich, but she keeps me poor And now it’s time to settle the score She never lets me get my foot in the door And this is why I hate the Moor!” OK, so it ain’t exactly Shakespeare. But of course,
Oregon playwright E.M. Lewis’s new show Magellanica opens with a scientist holding a parka and some luggage. “No one ends up in Antarctica by accident,” she says matter-of-factly. It’s true. Those who head deep into the frozen continent do must have strong
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