virtual theater fstival

Fertile Ground 2021: The Aftermath

Covid changed the game for the new-performance festival. But going virtual was a renaissance, not a retreat.

My Fertile Ground is not your Fertile Ground. That doesn’t mean I magically attended some sort of alternate-universe version of Portland’s annual festival of new works; I immersed myself in the same virtual rush of performances. Yet this year, I was intensely aware of how undefinable the festival can be.  

Seeing every project featured in Fertile Ground is all but impossible, which makes the event difficult to evaluate. If I had watched different (or more) shows, would I have thought the festival was better? Worse? With no in-person performances, it felt more important than ever to assess it as fully as possible. My job wasn’t simply to review the stories being told. I had to review whether the festival had successfully adapted to the constraints of COVID-19.


ONLINE FESTIVAL: FERTILE GROUND 2021


For me, the answer is simple: yes. My favorite Fertile Ground projects of 2021 were Chosen; Fold in Gently: Recipes for Friendship and Forgiveness (and Fucking Up); Oh Myh Dating Hell; and The Prismagic Radio Hour. What made them invigorating was how they each—in epically different ways—embraced the struggles of making art in a locked-down world, transforming obstacles into creative fuel.

Chosen is a solo performance. Fold in Gently is a baking podcast. Oh Myh is a next-gen romantic comedy. Prismagic is a comedy-circus-dance extravaganza. If I learned anything from Fertile Ground this year, it’s that there wasn’t one way for the festival to work during COVID. Some artists compensated for the limits of screens by blitzing audiences with movement (Prismagic is packed with miraculous acrobatic feats), but minimalism proved equally magical.

Alissa Jessup’s “Chosen”: A singular tale of trauma and survival.

Continues…