wandelweiser

MusicWatch Monthly: A Septemberful of ‘music’

"Classical" music, "Hip-hop" music, "Queer" music, "Experimental" music

Well, friends, you’ve got a helluva nice September to look forward to. Oregon Symphony provides live backup to the greatest movie of all time and also Wyclef Jean. Cappella Romana performs a bunch of Byzantine music, Kalakendra and Rasika present Indian classical music and dance, Nordic folk band Sver comes to Alberta Rose, and local rapper Fountaine headlines a free Labor Day hip-hop fest.

FearNoMusic and Third Angle swing back into full Relevant Classical mode this month, while Oregon Repertory Singers perform local composer Joan Szymko. Portland State’s Queer Opera presents gender-bent opera scenes and art songs, Dolphin Midwives plays a Harvest Moon Cacao Ceremony, and the Extradition Series imports a Canadian trumpeter.

We’ve even got a few concerts for you outside the Portland metro area, in case the shame trolls decide they want another helping of bananafied humiliation optics, police cover, wasted city resources, and charitable donations.

“Drip, drip.”

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Extradition Series preview: in the spirit of Pauline

Creative Music Guild concert presents spacious contemporary music inspired by the ideas of 20th century American music pioneer Pauline Oliveros

The music in Creative Music Guild’s Extradition Series shows a certain dispersed consistency: experimental, improvisatory, sparse, full of radiant silences and gentle chaos, irrepressibly non-traditional (ex-traditional?) in terms of timbre, tonality, rhythm, melody, and the use of acoustic time and space. The individual pieces of music sound radically different from each other, but they tend to sound more alike than they sound like anything else you’re likely to hear in Portland. And once you start getting into Extradition’s particular groove, it becomes one of those specialized tastes, like Indian food or durian or abstract art or free jazz or French Black Metal or early 20th-century atonal classical music. If it’s what you’re in the mood for, only that will do. Nothing else is gonna scratch that itch. Saturday’s concert celebrates one of Extradition’s forebears — Pauline Oliveros, another artist who provokes visceral, addictive responses — in performances of her music and works she inspired.

The quarterly series often includes the work of composers associated with Fluxus, the Wandelweiser Group, and other such mid-to-late-20th-century experimental scenes, all those collectives of artists and theorists and composer-performers who established–wait for it–new traditions of their own. These movements made “slow music, quiet music, spare music, fragile music,” and sometimes claimed Satie as their spiritual godfather. Much of the Real Work was done by people most of us have never heard of (or if you have, it’s as “Yoko Ono’s first husband” or “Rzewski’s mentor in Rome” or “the guy who did the I Am Sitting In A Room thing”), but it’s Cage who (until recently) has had the biggest name recognition outside these circles.

The Extradition Series takes place at Portland’s Leaven Community Center.

This time around, Extradition founder Matt Hannafin and company are honoring the recently departed accordionist, electro-acoustician, and Pioneer of Deep Listening: Pauline Oliveros. These concerts always have something of Pauline’s spirit in them, and they’ve performed Her music in the past, but now that She has entered the Spirit Realm, it seems extra-appropriate to honor Her and Her Great Work.

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