Western Oregon University

Arden Forest comes to Yamhill County

And just to the south, you'll find Elsinore, as a Bard-filled weekend offers outdoor productions of "As You Like It" and "Hamlet"

Before we get to this week’s most exciting theater opening — an open-air production of As You Like It — let’s quickly cast our gaze just south of Yamhill County, where an intriguing Hamlet will be found. 

Western Oregon University keeps Shakespeare alive in the summer with free outdoor productions by its Valley Shakespeare Company. This year, WOU’s David Janoviak is directing Hamlet on the campus’s outdoor Leinwand stage. Valley Shakespeare shows offer a mix of student, faculty, community, and professional guest artists.

Janelle Rae plays Hamlet in Valley Shakespeare Company’s Asian-influenced take on Shakespeare’s tragedy.  Final performances are Thursday, Friday, and Saturday. Photo by: Ray Finnell
Janelle Rae plays Hamlet in Valley Shakespeare Company’s Asian-influenced take on Shakespeare’s tragedy. Final performances are Thursday, Friday, and Saturday. Photo by: Ray Finnell, courtesy Valley Shakespeare Company

This is Janoviak’s fifth Hamlet. He’s played the Prince of Denmark twice, both in school and professionally, and he’s played Laertes twice, for professional companies in Utah and Texas. For this Hamlet, he’s going with a 2017 WOU graduate in the lead, Janelle Rae, who uses the pronouns they/them.

“Someone once said that you don’t simply decide to do Hamlet and then hold auditions to cast the title role,” he said. “You discover the actor first and then take on the project.  That was the case with Janelle.” The fact that Rae is female, he said, didn’t really cross his mind.

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Profiles & Conversations 2017

From poets to painters to dancers to actors to musicians, 21 tales from ArtsWatch on the people who make the art and why they do it

Art is a whole lot of things, but at its core it’s about people, and how they see life, and how they make a life, and how they get along or struggle with the mysteries of existence. That includes, of course, the artists themselves, whose stories and skills are central to the premise. In 2017 ArtsWatch’s writers have sat down with a lot of artists – painters, actors, dancers and choreographers, poets, music-makers – and listened as they spun out their tales.

We’ve been able to tell their stories because of support from you and people like you. Oregon ArtsWatch is a nonprofit cultural journalism organization, and your gifts help pay for the stories we produce. It’s easy to become a member and make a donation. Just click on the “donate today” button below:

Here are 21 stories from 2017 about Oregon artists and artists who’ve come here to do their work:

 


 

Erik Skinner. Photo: Michael Shay

Eric Skinner’s happy landing

Jan. 18: “On the afternoon that Snowpocalypse struck Portland, Eric Skinner walked into the lobby at BodyVox Dance Center after a morning in the studio and settled easily onto one of the long couches in the corner. As always he looked trim and taut: small but strong and tough, with a body fat index down somewhere around absolute zero. If anyone looks like a dancer, Skinner does. Even in repose he seems all about movement: you get the sense he might spring up suddenly like a Jumping Jack on those long lean muscles and bounce somewhere, anywhere, just for the sake of bouncing.” In January, after 30 years on Portland stages, Skinner was getting ready to retire from BodyVox – but not from dance, he told Bob Hicks.

 


 

Les Watanabe in ‘Sojourn’ by Donald McKayle, Inner City Repertory Company. Photographed by Martha Swope in New York. 1972. Photo courtesy of Les Watanabe

Les Watanabe on Alvin Ailey, Lar Lubovich, Donald McKayle and his life in dance

Jan. 20: In a wide-ranging Q&A interview, Jamuna Chiarini hears a lot of modern-dance history from Watanabe, who was in the thick of it and now teaches at Western Oregon University:

“During Alvin Ailey’s CBS rehearsals, Lar Lubovitch was teaching in the next studio. I ran into him at the drinking fountain. While living in L.A., I had read articles about him in Dance Magazine. So while he was stooped over drinking, I exclaimed, ‘Lar Lubovitch! I’ve read all about you!’

“At that point he stood up facing me wiping his mouth and looking incredulous like, ‘Who is this guy?’ I then asked, ‘Do you ever have auditions? I would love to dance with you.’

“’Are you dancing now?’ he asked.

“’Yes, with Alvin Ailey next door, but it is only for five weeks.’

“’Where do you take class?’ Lar asked. ‘At Maggie Black’s,’ I answered. ‘Good. Let’s meet at her first class. Then you can rush back to rehearsal. See you next week.’”

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