world theater

Boom Arts’ Festive Revolution

The Portland presenter of distinctive performance from around the world embarks on a new season of theatrical celebration and social change

Boom Arts is looking to bring a festive revolution to Portland. “We’re coming together to celebrate and turn things upside down,” says curator and producer Ruth Wikler, describing her vision for the company’s seventh season. In a world of constant bad news she wants to find a way to engage our way to social change.

Shows at Boom Arts, a presenting company that searches the world for provocative and stimulating touring acts, often have short runs, one or two weekends at most. ArtsWatch will be following them this season from the inside – seeing shows, talking with the artists, getting perspectives from Wikler and others – to give readers a variety of insights on what they do and how they work. Performers who BoomArts likes to showcase tend to have singular profiles: they don’t always fall neatly into theater, or dance, or performance. This season’s opening act, Oct. 19-20 and 26-27 at the Paris Theatre, is the Ukrainian group Teatr-Pralnia (Laundry Theatre) with CCA Dakh and their show TseSho?/What’s That?.

Teatr-Pralnia: just your basic Ukrainian contemporary improvisational puppetry bass/melodica/violin/accordion performance troupe.

This is the group’s first time in the United States. Portland is one stop in the Kiev company’s national tour, which was made possible by Center Stage, a program of the U.S. Department of State’s Bureau of Educational and Cultural Affairs. Wikler travels a lot in her search for new acts to bring to Portland but it’s not just about finding something new, especially for international acts. Making connections with national presenters allows Boom Arts to host international groups that have secured their visas. “I have to find how to plug them into existing national partnerships. We’ve been talking to Center Stage for a few years now,” she says. “It was an opportunity we were excited to say yes to because we felt they fit our mission.”


BOOM ARTS: THE SEASON: 1


 

Continues…

Boom! Arts from the edge

Boom Arts scans the globe for performances that challenge audiences to take on new perspectives. Next up: Penny Arcade; a gallery fete.

Essay and photos by FRIDERIKE HEUER

In times of political change and upheaval the arts often undergo a paradigm shift. New ways of representing the world or challenging the status quo rise out of despair or are driven by hope. This is true for the visual arts but perhaps even more so for theater. In Germany, my country of origin, for example, the era between the two world wars saw an enormous shift towards the use of theater as an instrument for social change. Famous innovators like Erwin Piscator and his Proletarian Theatre envisioned performances that would make people more thoughtful, and help them consider their social environment more critically. Live performance would encourage members of the public to analyze what was going on around them rather than making them react purely emotionally to a particularly beautifully written or produced play. In Piscator’s eyes the purpose of theater was to tell the truth and awaken consciousness for the truth in the audience, which might pave the way towards political action.

Piscator’s productions, which influenced his eventually much more famous compatriot and colleague Berthold Brecht, were geared toward audience involvement: He hoped for a modified version of the ancient model of the Greek stage and its public, making theater once again central to community life. His working-class actors often played without a stage, costumes or lighting, in neighborhood meeting halls or industrial barracks, encouraging conversation with the audience. His politics did not sit well with the rising totalitarian regime, and he eventually fled into exile, working, among other things, at the New School for Social Research in New York before eventually returning to Germany after the war.

Ruth Wikler-Luker

I was reminded of all this because I sat down with Ruth Wikler-Luker recently for a conversation about Boom Arts, the performing arts organization she founded in Portland about six years ago. I have been volunteering to photograph for Boom Arts for a number of those years, but had never had the opportunity to satisfy my curiosity about the organization and its producer in more detail.

Continues…