The many faces of Monica Ohuchi: A photo essay

The pianist and Fear No Music executive director performed Caroline Shaw's "Gustave le Grey" at FNM's recent "Sounds Like Home" concert.

Last month Fear No Music presented the second concert of its all-Oregonian season, “Sounds Like Home” (read Lorin Wilkerson’s review here). Pianist and FNM executive director Monica Ohuchi performed Industrial Strength by her husband Kenji Bunch (with James Shields on bass clarinet) and Caroline Shaw’s blurry solo piano piece Gustave le Grey.

Photographer extraordinaire Joe Cantrell was there taking photos, and said of Ohuchi, “I have never seen such deep, brilliant emotion in a pianist’s face.” We present here a series of Joe’s photos showcasing the many faces of Monica Ohuchi.

Monica Ohuchi at Fear No Music's "Sounds Like Home" concert. Photo by Joe Cantrell.

Monica Ohuchi at Fear No Music's "Sounds Like Home" concert. Photo by Joe Cantrell.

Monica Ohuchi at Fear No Music's "Sounds Like Home" concert. Photo by Joe Cantrell.

Monica Ohuchi at Fear No Music's "Sounds Like Home" concert. Photo by Joe Cantrell.

Sponsor

Orchestra Nova The Spectacular at the Reser Beaverton Oregon

Monica Ohuchi at Fear No Music's "Sounds Like Home" concert. Photo by Joe Cantrell.

Monica Ohuchi at Fear No Music's "Sounds Like Home" concert. Photo by Joe Cantrell.

Monica Ohuchi at Fear No Music's "Sounds Like Home" concert. Photo by Joe Cantrell.

Monica Ohuchi at Fear No Music's "Sounds Like Home" concert. Photo by Joe Cantrell.

Monica Ohuchi at Fear No Music's "Sounds Like Home" concert. Photo by Joe Cantrell.

Monica Ohuchi at Fear No Music's "Sounds Like Home" concert. Photo by Joe Cantrell.

Joe Cantrell

I spent my first 21 years in Tahlequah, Cherokee County, Oklahoma, assuming that except for a few unfortunate spots, ‘everybody’ was part Cherokee, and son of the soil. Volunteered for Vietnam because that’s what we did. After two stints, hoping to gain insight, perhaps do something constructive, I spent the next 16 years as a photojournalist in Asia, living much like the lower income urban peasants and learning a lot. Moved back to the USA in 1986, tried photojournalism and found that the most important subjects were football and basketball, never mind humankind. In 1992, age 46, I became single dad of my 3-year-old daughter and spent the next two decades working regular jobs, at which I was not very good, to keep a roof over our heads, but we made it. She’s retail sales supervisor for Sony, Los Angeles. Wowee! The VA finally acknowledged that the war had affected me badly and gave me a disability pension. I regard that as a stipend for continuing to serve humanity as I can, to use my abilities to facilitate insight and awareness, so I shoot a lot of volunteer stuff for worthy institutions and do artistic/scientific work from our Cherokee perspective well into many nights. Come along!

Conversation 1 comment

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

  1. Robert McBride

    I can almost hear it, Dave.

Sign up for our weekly newsletter
Subscribe to ArtsWatch Weekly to get the latest arts and culture news.
Please enable JavaScript in your browser to complete this form.
Name