September is upon us, with programs for TBA descending like early, unusually chunky autumn leaves. This year’s lineup looks as exciting as ever, but don’t forget the visual arts, whether they’ve snuck into TBA or not. Of note this month, new independent gallery Carnation Contemporary opens its inaugural exhibition in one of the small street-facing spaces in Disjecta. Besides these new events, the last days of a few good shows linger on like the occasional remaining warm days. Ann Hamilton’s Habitus will be open through September 16, as the final part of Converge 45. Amy Bay’s lovely painting show will be hanging at Melanie Flood Projects until September 8, and while you’re downtown you can still catch or Richard Diebenkorn at PAM until the 23rd and R.B. Kitaj at the Oregon Jewish Museum until the 30th.
September 1-June 9, 2019
Portland Art Museum, 1219 SW Park Avenue
Presented by the Center for Contemporary Native Art at the Portland Art Museum, a fantastic range of glass work by contemporary Native artists. The Northwest is lucky to have such a thriving scene of glass art. Artists such as Joe Feddersen and Dan Friday are distinctive employ innovative techniques and Native imagery in their glass objects that, far from the fragile associations most of us have with glass, radiate strength, resilience and resistance.
September 6-October 20
Pacific Northwest College of Art, Center for Contemporary Art & Culture, 511 NW Broadway
Curated by Signal Fire co-director Ka’ila Farrell-Smith, this annual project is based on “the symbolic act of retracing segments of European settler exploration and conquest in the reverse direction, as a way of interrogating assumed histories and connecting the legacy of colonialism to the present day challenges in the American West,” including climate Change. Signal Fire is a non-profit organization that connects artists with wildlands through programs like expeditions and residencies, which this exhibition draws from. Artists include Sarah Farahat, Tanja Geis, Joe Hedges, Garrick Imatani, Emmy Lingscheit, Rachelle Reichert, Rick Silva, and Ilvs Strauss.
Utopia Without You – Tabitha Nikolai
September 6 – October 13
Williamson Knight, 916 NW Flanders St
This solo show by local artist and curator Tabitha Nikolai promises futuristic visions as disquieting as they are beguiling. Nikolai, who describes herself as a “trashgender gutter elf and low-level cybermage” will show a variety of new sculptural works including a custom gaming PC with a custom controller made in collaboration with Matt Leavitt, a wargaming diorama borrowing materials from the show at Killjoy that Nikolai curated earlier this year, and digital 3d environments with original score by Rook. Nikolai will also lead a conversation about the exhibition at the closing on October 13 at 1:00 pm.
Through October 7, 2018
Dust to Dust, 3636 N Mississippi Ave
A colorfully-intense group show that takes a close look at the complexity of that thing we love so much in Portland, summer. The show combines love, escapism, dread, freedom, and malaise “in a celebration of summer’s excess and the collective fear of a future, smoke-filled, everlasting summer,” according to the press release. Local painter Bruce Conkle’s painting of skeletons on a boat hangs in counterpoint to the 3D renderings of LA artist Paul Rosas and the sculptural recreations of party drugs by Beverly Fishman (Bloomfield Hills, Michigan). Also from Bloomfield Hills, Christian Mickovic’s optically-dizzying paintings are the stars of the show, rewarding however much time you can spend staring into them.
Gregg Bordowitz: I Wanna Be Well
Through October 21
Reed College, Douglas F. Cooley Memorial Art Gallery, 3203 SE Woodstock Boulevard
This exhibition marks the first retrospective of American artist, activist, writer, and educator Gregg Bordowitz. An early survivor of the HIV virus, Bordowitz created important films in the early days of AIDS activism, working with the direct action group ACT UP and the video collective, Testing the Limits. These films will join rarely-seen sculptures and drawings in this retrospective, as well a books, essays, poetry, personal ephemera, and films of recent performances by Bordowitz.
Fin de Cinema—Jean Cocteau’s Beauty and the Beast
Mon Sept 10, 10 pm
The Works, 15 NE Hancock, $5–15
Returning for a second year after its popular TBA debut in 2017, this ongoing series curated by Holocene’s Gina Altamura hand-picks local musicians to compose and perform a newly imagined score to a classic movie. If TBA feels a little overwhelming to you, Fin de Cinema is guaranteed to be a satisfying, soothing break in all the intensity. Cinephiles and experimental music lovers alike can relax and enjoy the combination of an old, subtitled film and live performance of new compositions by local musicians. Well-known improvisors Like a Villain, John Niekrasz, Jonathan Sielaff (the bass clarinet in Golden Retriever), Patricia Wolf (of Soft Metals), Amenta Abioto, and Noah Bernstein perform a new score to Cocteau’s classic, highly-influential masterpiece.
Friday, September 14 2018, 5:00 PM – 8:00 PM
Saturday and Sunday September 15 2018, from 11:00 AM – 4:00 PM
Initiated by Srijon Chowdhury, alternative art fair that provides a platform for artists, gallerists, and curators to present projects that work towards possible, alternative futures. Dozens of artists collaborate in an intimate setting, with visual art, performance, installation, and facilitated conversations around the themes of accessibility, community, and the art world’s reliance on capitalist systems. Collaborators include Institute for Interspecies Art and Relations, Chicken Coop Contemporary, Shawn Creeden, Lisa Schonberg, Institute for Queer Ecology, Lila de Magalhaes and Harley Hollenstein, Williamson + Knight, Midori Hirose & Mia Ferm, and many more.