Oregon Children's Theatre Portland Oregon

Waterfront Blues 2: In the Spirit

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PHOTOGRAPHS BY JOE CANTRELL


Day Two of the Waterfront Blues Festival dug deep into the spirit of music and life with an extraordinary set by the Spiritual Brothers and their sounds of Northern Ghana and Burkina Faso. Unlike the four-day festival’s first day on the Fourth of July, there were no fireworks over the river. But there was plenty of fire in the music on Friday, a day that also included sharp sets by the likes of Harpdog Brown & the Uptown Blues Band, Larkin Poe, Terry Hancke, the California Honeydrops, Lloyd Jones, Lisa Mann with Lara Price, Monti Amundson, Brother Yusef, Arietta Ward (daughter of the legendary, late Portland pianist Janice Scroggins) and others.

Passing the traditions on: generations in the crowd.

The four-day festival, which transforms Portland’s Tom McCall Waterfront Park through Sunday, is a highlight of the Pacific Northwest’s summer music season, drawing thousands of revelers every day. Saturday’s schedule features a lot of Louisiana sounds – Curley Taylor & Zydeco Trouble, Lil’ Pookie & the Zydeco Sensations, Mysti Krewe Mardi Gras Parade, Chubby Carrier & His Bayou Swamp Band – plus the likes of top locals LaRhonda & the Steele Family Band, the Terry Robb Quartet, Norman Sylvester’s Allstar Revue, and more. Your single-day tickets – $20 in advance, $25 at the gate – get you the entire day from 10 a.m. until after dark, and in addition to paying for the musicians and the music, help support the nonprofit Sunshine Division, which distributes food and clothing to people in the metropolitan area who need them.

Photographer Joe Cantrell was on site once again all day long, documenting the excitement on the stage and in the crowd. Some highlights from his Day Two shoots:


SPIRITUAL BROTHERS



LARA PRICE, SINGER & DRUMMER WITH LISA MANN



TERRY HANCKE



FACES IN THE CROWD



LARKIN POE: SISTERS REBECCA AND MEGAN LOVELL



HARPDOG BROWN & THE UPTOWN BLUES BAND



GOODNIGHT TO DAY TWO



Joe Cantrell

Joe Cantrell

I spent my first 21 years in Tahlequah, Cherokee County, Oklahoma, assuming that except for a few unfortunate spots, ‘everybody’ was part Cherokee, and son of the soil. Volunteered for Vietnam because that’s what we did. After two stints, hoping to gain insight, perhaps do something constructive, I spent the next 16 years as a photojournalist in Asia, living much like the lower income urban peasants and learning a lot. Moved back to the USA in 1986, tried photojournalism and found that the most important subjects were football and basketball, never mind humankind. In 1992, age 46, I became single dad of my 3-year-old daughter and spent the next two decades working regular jobs, at which I was not very good, to keep a roof over our heads, but we made it. She’s retail sales supervisor for Sony, Los Angeles. Wowee! The VA finally acknowledged that the war had affected me badly and gave me a disability pension. I regard that as a stipend for continuing to serve humanity as I can, to use my abilities to facilitate insight and awareness, so I shoot a lot of volunteer stuff for worthy institutions and do artistic/scientific work from our Cherokee perspective well into many nights. Come along!
Joe Cantrell

Joe Cantrell

I spent my first 21 years in Tahlequah, Cherokee County, Oklahoma, assuming that except for a few unfortunate spots, ‘everybody’ was part Cherokee, and son of the soil. Volunteered for Vietnam because that’s what we did. After two stints, hoping to gain insight, perhaps do something constructive, I spent the next 16 years as a photojournalist in Asia, living much like the lower income urban peasants and learning a lot. Moved back to the USA in 1986, tried photojournalism and found that the most important subjects were football and basketball, never mind humankind. In 1992, age 46, I became single dad of my 3-year-old daughter and spent the next two decades working regular jobs, at which I was not very good, to keep a roof over our heads, but we made it. She’s retail sales supervisor for Sony, Los Angeles. Wowee! The VA finally acknowledged that the war had affected me badly and gave me a disability pension. I regard that as a stipend for continuing to serve humanity as I can, to use my abilities to facilitate insight and awareness, so I shoot a lot of volunteer stuff for worthy institutions and do artistic/scientific work from our Cherokee perspective well into many nights. Come along!

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